"Intermezzo" is a beautifully photographed, bittersweet story about a the love affair between a concert violinist (Leslie Howard) and a pianist (Ingrid Bergman). This was Bergman's second time at the role, the first time being in her native Sweden. This film catapulted her to fame. Her natural beauty and freshness is shown to wonderful advantage here, as is her sensitive acting in the role of Anita Hoffman.
Howard plays Holger Brandt, a married man with two children who leaves his wife and family when his affair with Bergman becomes too intense. Hoffman becomes his accompanist on tour, sublimating her own career plans because she wants to be with him. While vacationing, he becomes attached to a little girl who obviously reminds him of his daughter (Ann Todd), whom he adores, and Anita wonders if their illicit affair can ever bring them happiness.
The film is rich in subtext and metaphors. "Aren't you giving it too much importance?" Anita's piano teacher asks as she rips into a concerto. "We were all impressed with you the night you played here ... with my husband," Holger's wife says, asking Anita about her studies. "I really had no choice," Anita almost whispers. Even the title of his daughter's favorite piece that he plays, "Intermezzo" takes on a special meaning.
Few actors have cut the romantic, ethereal figure that Leslie Howard did during his film career. Tall, blond, with that soft voice and faraway look in his eyes, he makes a perfect musician who is always listening to a melody in his head. Though some people feel his phoned-in Ashley Wilkes doesn't hold up today, in fact, he was the embodiment of Ashley without making much effort, a soft dreamer with impractical values from another time. And so he is here, not thinking ahead and lost in a romantic fog.
A touching and dramatic film with very effective performances.
Howard plays Holger Brandt, a married man with two children who leaves his wife and family when his affair with Bergman becomes too intense. Hoffman becomes his accompanist on tour, sublimating her own career plans because she wants to be with him. While vacationing, he becomes attached to a little girl who obviously reminds him of his daughter (Ann Todd), whom he adores, and Anita wonders if their illicit affair can ever bring them happiness.
The film is rich in subtext and metaphors. "Aren't you giving it too much importance?" Anita's piano teacher asks as she rips into a concerto. "We were all impressed with you the night you played here ... with my husband," Holger's wife says, asking Anita about her studies. "I really had no choice," Anita almost whispers. Even the title of his daughter's favorite piece that he plays, "Intermezzo" takes on a special meaning.
Few actors have cut the romantic, ethereal figure that Leslie Howard did during his film career. Tall, blond, with that soft voice and faraway look in his eyes, he makes a perfect musician who is always listening to a melody in his head. Though some people feel his phoned-in Ashley Wilkes doesn't hold up today, in fact, he was the embodiment of Ashley without making much effort, a soft dreamer with impractical values from another time. And so he is here, not thinking ahead and lost in a romantic fog.
A touching and dramatic film with very effective performances.