This was a 1940s film noir with a little bit different slant: the main character "Nick Bianco" (Victor Mature) being a caring father. Here's a guy torn between being a crook most of his life and the damage it did to him mentally, but at heart a real softie who is desperate to go straight and just be a regular family guy with everyone leaving him alone. In the story, he turns "stoolie" so he can earn that freedom and be that family man.
Among film noir buffs, however, this film is noted more for Richard Widmark's debut as the sadistic "Tommy Udo." One of the most famous noir scenes of all time is "Udo" throwing an old lady in a wheelchair down a flight of stairs! Widmark puts on a fake pair of choppers giving him an exaggerated overbite to go along with his insane little giggle. He also calls everyone a "squirt." His over- the-top performance puts a lot a spark into this film which, otherwise would have wound up more as a melodrama.
Two other actors have key roles in here: Brian Donlevy and Colleen Gray (making her credited film debut, too1). Donlevey plays a character who never see in modern-day films: a compassionate district attorney who goes out of his way to help "Nick." It's refreshing to see, for a change. Gray becomes Nick's love interest and is a very appealing wholesome type, as are the two sweet little girls Nick had with his former wife who killed herself while Nick was in prison. Gray becomes the step-mother.
Although not spectacular, the film is entertaining, especially the suspenseful last 20 minutes. It's quite dated in spots but Widmark's character alone is worth investigating this film if you've never seen it. I'm surprised there aren't more reviews of this.
Among film noir buffs, however, this film is noted more for Richard Widmark's debut as the sadistic "Tommy Udo." One of the most famous noir scenes of all time is "Udo" throwing an old lady in a wheelchair down a flight of stairs! Widmark puts on a fake pair of choppers giving him an exaggerated overbite to go along with his insane little giggle. He also calls everyone a "squirt." His over- the-top performance puts a lot a spark into this film which, otherwise would have wound up more as a melodrama.
Two other actors have key roles in here: Brian Donlevy and Colleen Gray (making her credited film debut, too1). Donlevey plays a character who never see in modern-day films: a compassionate district attorney who goes out of his way to help "Nick." It's refreshing to see, for a change. Gray becomes Nick's love interest and is a very appealing wholesome type, as are the two sweet little girls Nick had with his former wife who killed herself while Nick was in prison. Gray becomes the step-mother.
Although not spectacular, the film is entertaining, especially the suspenseful last 20 minutes. It's quite dated in spots but Widmark's character alone is worth investigating this film if you've never seen it. I'm surprised there aren't more reviews of this.