In the recent biography of Billy Wilder by Ed Sikov, it is mentioned that for the first time Wilder used as his protagonist a lovable loser. Think about it. In a whole lot of his previous films the main lead in Ace in the Hole, Double Indemnity, Stalag 17 are the people who are the takers as Shirley MacLaine describes Fred MacMurray here.
In The Apartment, it's the schnook that's took who the story focuses on. Jack Lemmon creates one of his immortal characters in C.C. Baxter, a minor cog in the machinery of the insurance company he works for.
Lemmon has maybe found a way to move up the corporate ladder, but it's driving him nuts. He lives on West 67 Street in Manhattan, a most convenient location for kanoodling. Only it isn't him that kanoodles. One time he allowed one of the middle level managers to use his apartment for a little nookie. One guy tells another and so on and so on and pretty soon Lemmon can't call his place his own.
In walks big boss Fred MacMurray to seemingly save the situation. But it turns out he only wants exclusive use for himself and he actually does vault Baxter several steps up the corporate ladder. And unfortunately MacMurray is currently kanoodling with elevator operator Shirley MacLaine who Lemmon has a thing for.
The Apartment was years ahead of its time in that it was one of the first major films to deal with sexual harassment. The whole group of middle executives Ray Walston, David Lewis, Willard Waterman, David White and the big cheese Fred MacMurray just look on that insurance company as one gigantic harem. As typical for 1960 note there are no women in any managerial positions at all.
Fred MacMurray almost didn't play Mr. Sheldrake. Paul Douglas was cast originally, but died suddenly just before shooting on The Apartment commenced. MacMurray stepped in and got great critical reviews for another effort with Billy Wilder as a heavy. MacMurray was also starting at this time a long run in the family comedy My Three Sons on television. There would be no more bad guys in his future.
Billy Wilder held out in casting for Jack Kruschen as Doctor Dreyfus the next door neighbor who is available to save Shirley MacLaine's life. The folks at United Artists were ready to sign Groucho Marx for the part. Wilder's faith in Kruschen was justified, he got an Oscar nomination for Best Supporting Actor, but lost to Peter Ustinov for Spartacus.
Lemmon and MacLaine were also nominated for the leads, but failed to win. But The Apartment was chosen Best Film of 1960 and Billy Wilder was Best Director.
Also look out for a biting performance by Edie Adams who really makes her role count as MacMurray's secretary and former flame. During a Christmas party she tips off MacLaine to MacMurray's philandering ways and then later on brings the house of cards all around Fred.
The Apartment is so timeless in so many ways although women in the workplace have made great strides in the last 46 years. One thing though that does show how dated it is. It's mentioned that Lemmon pays $94.00 a month, presumably rent controlled, for a one bedroom apartment in the West Sixties in Manhattan.
Now that is dated.
In The Apartment, it's the schnook that's took who the story focuses on. Jack Lemmon creates one of his immortal characters in C.C. Baxter, a minor cog in the machinery of the insurance company he works for.
Lemmon has maybe found a way to move up the corporate ladder, but it's driving him nuts. He lives on West 67 Street in Manhattan, a most convenient location for kanoodling. Only it isn't him that kanoodles. One time he allowed one of the middle level managers to use his apartment for a little nookie. One guy tells another and so on and so on and pretty soon Lemmon can't call his place his own.
In walks big boss Fred MacMurray to seemingly save the situation. But it turns out he only wants exclusive use for himself and he actually does vault Baxter several steps up the corporate ladder. And unfortunately MacMurray is currently kanoodling with elevator operator Shirley MacLaine who Lemmon has a thing for.
The Apartment was years ahead of its time in that it was one of the first major films to deal with sexual harassment. The whole group of middle executives Ray Walston, David Lewis, Willard Waterman, David White and the big cheese Fred MacMurray just look on that insurance company as one gigantic harem. As typical for 1960 note there are no women in any managerial positions at all.
Fred MacMurray almost didn't play Mr. Sheldrake. Paul Douglas was cast originally, but died suddenly just before shooting on The Apartment commenced. MacMurray stepped in and got great critical reviews for another effort with Billy Wilder as a heavy. MacMurray was also starting at this time a long run in the family comedy My Three Sons on television. There would be no more bad guys in his future.
Billy Wilder held out in casting for Jack Kruschen as Doctor Dreyfus the next door neighbor who is available to save Shirley MacLaine's life. The folks at United Artists were ready to sign Groucho Marx for the part. Wilder's faith in Kruschen was justified, he got an Oscar nomination for Best Supporting Actor, but lost to Peter Ustinov for Spartacus.
Lemmon and MacLaine were also nominated for the leads, but failed to win. But The Apartment was chosen Best Film of 1960 and Billy Wilder was Best Director.
Also look out for a biting performance by Edie Adams who really makes her role count as MacMurray's secretary and former flame. During a Christmas party she tips off MacLaine to MacMurray's philandering ways and then later on brings the house of cards all around Fred.
The Apartment is so timeless in so many ways although women in the workplace have made great strides in the last 46 years. One thing though that does show how dated it is. It's mentioned that Lemmon pays $94.00 a month, presumably rent controlled, for a one bedroom apartment in the West Sixties in Manhattan.
Now that is dated.