An early McTiernan flick.
This is not the most coherent film, but at the same time, the pacing and frantic build-up more than make up for it.
The best scenes are when Brosnan's character suddenly realizes he's been following the Nomads for 30 hours and they haven't stopped to sleep once.
Then, when he's hiding in the dark alley, and trying to take pictures of No. 1, (Adam Ant) they make it clear they know, and knew all along, he's been watching. At this point everyone was wondering who, or what, these people are.
The biker/punk look was a new twist, even if it looks dated now.
And Brosnan should really avoid French accents.
I'm also pretty sure that was Paul Bartel's voice on the phone. The fact that longtime friend Mary Woronov is in this film makes me all the more sure.
Creepy flick.
This is not the most coherent film, but at the same time, the pacing and frantic build-up more than make up for it.
The best scenes are when Brosnan's character suddenly realizes he's been following the Nomads for 30 hours and they haven't stopped to sleep once.
Then, when he's hiding in the dark alley, and trying to take pictures of No. 1, (Adam Ant) they make it clear they know, and knew all along, he's been watching. At this point everyone was wondering who, or what, these people are.
The biker/punk look was a new twist, even if it looks dated now.
And Brosnan should really avoid French accents.
I'm also pretty sure that was Paul Bartel's voice on the phone. The fact that longtime friend Mary Woronov is in this film makes me all the more sure.
Creepy flick.