Once upon a time (1945 to be exact) there was a B-film from Columbia called MY NAME IS JULIA ROSS starring Nina Foch, Dame May Witty and George Macready. It caused quite a stir even though it played the lower half of double bills and lasted a mere 65 minutes.
DEAD OF WINTER is rather transparent in borrowing from MY NAME IS JULIA ROSS (the heroine's name is Julie Rose, for example), and it has taken the original material, expanded it with some clever additional plot lines, taken the Cornwall atmosphere and transported it to wintry New England for a weather-beaten effect, and turned out a smart little thriller that will give you plenty of winter chills no matter what the temperature is outside.
It's another one of those tales where nothing is what it seems. A pretty young actress (MARY STEENBURGEN) is a down on her luck gal who accepts the offer of a film test from a producer (RODDY McDOWALL) who invites her to his secluded mansion where the test will take place. Sure, it's an unbelievable plot contrivance, but that's part of the fun. Nothing is to be taken too seriously from this point on.
When a series of rather unpleasant incidents take place, the woman realizes she is in a trap, but neither she nor the audience understands why she is there and what the purpose is of keeping her prisoner.
STEENBURGEN is excellent as the frightened woman (who should have had more common sense than accepting such an offer), and McDOWALL's polite cat-and-mouse game with her is fascinating as it unfolds. It's a creepy film, filled with authentically wintry atmosphere and it builds toward a surprising and violent climax.
Under Arthur Penn's direction, this expanded version of the B-film is every bit as cleverly plotted and written, no matter what some of the other commentators here have said. It's an atmospheric mystery that's guaranteed to give you some satisfying wintry chills--and then some.
DEAD OF WINTER is rather transparent in borrowing from MY NAME IS JULIA ROSS (the heroine's name is Julie Rose, for example), and it has taken the original material, expanded it with some clever additional plot lines, taken the Cornwall atmosphere and transported it to wintry New England for a weather-beaten effect, and turned out a smart little thriller that will give you plenty of winter chills no matter what the temperature is outside.
It's another one of those tales where nothing is what it seems. A pretty young actress (MARY STEENBURGEN) is a down on her luck gal who accepts the offer of a film test from a producer (RODDY McDOWALL) who invites her to his secluded mansion where the test will take place. Sure, it's an unbelievable plot contrivance, but that's part of the fun. Nothing is to be taken too seriously from this point on.
When a series of rather unpleasant incidents take place, the woman realizes she is in a trap, but neither she nor the audience understands why she is there and what the purpose is of keeping her prisoner.
STEENBURGEN is excellent as the frightened woman (who should have had more common sense than accepting such an offer), and McDOWALL's polite cat-and-mouse game with her is fascinating as it unfolds. It's a creepy film, filled with authentically wintry atmosphere and it builds toward a surprising and violent climax.
Under Arthur Penn's direction, this expanded version of the B-film is every bit as cleverly plotted and written, no matter what some of the other commentators here have said. It's an atmospheric mystery that's guaranteed to give you some satisfying wintry chills--and then some.