For about an hour it's about this guy who saw his mom get cleavered but has partially repressed the memory; he goes around killing newlyweds, convinced that the act will allow him to remember who the killer was. He also runs a wedding dress company and spends a lot of time in a creepy room full of mannequins, or talking to his bitch wife, or ogling his stable of vixen models. There's flashbacks, there's a seance, there's a great scene talking to the cops with his wife dripping blood off the staircase. Most unfortunately, the lead character is written as this self-conscious, snooty, "Hello, I am a psychopath" jerk; that plus there's another one of these stupid detectives. The lousy characters keep intruding on the cool, if cheap, film-making (there's a perfect, tossed-off audio cut between a skipping record and a police siren). But get ready for a REAL shock: sixty minutes in, after he kills his wife, she comes back as a cackling bitch wife ghost - so that what was up to this point a movie about the inner quest of a 'madman' is now, all of a sudden, a movie about a philandering prick whose dead wife keeps spoiling his pickups. (At one point he suggests a threesome!) This is at once the worst thing technically about HFAH, and hands down my favourite thing about it. Cool credit sequence graphics too.
Review of Hatchet for the Honeymoon
Hatchet for the Honeymoon
(1970)
A cross between 'Psycho' and 'Divorce, Italian Style'
10 January 2007
Warning: Spoilers