8/10
Beautiful and Moving - Not Typical Greenaway's Film
15 January 2007
Warning: Spoilers
Dreamlike, beautifully shot by great Sasha Vernie and equally disturbing (as all Greenaway's movies are), "The Belly of an Architect" (1987) tells the story of an American architect, Stourley Kracklite (Brian Dennehy) who came to Rome to work on the exhibition dedicated to the French architect of the 18th century, Etienne-Louis Boullee (1728 - 1799). Stourley brings with him his much younger wife Louisa with whom is passionately in love. Everything looks good for him – he's got a project of his dreams to work on, his wife is with him, and his Italian colleagues seem to be supportive and exited about the exhibit as much as he is. Soon, though, the things begin to change and look rather grim – Stourley's pregnant wife enters the affair with a younger man, the work does not move as quickly as it was planned and on the top of all, Stourley gets sick and perhaps more seriously than he thinks.

When I watch Peter Greenaway's films, I know they will be a feast for brain, eyes, and ears – his films consist of frames so perfectly composed that you want to capture every moment of them and exclaim like Goethe's Faust did, "Stay a while! You are so lovely!". The music in his films matches the visual beauty perfectly, and his outlook at the familiar world is always original and arresting even if it lacks warmth and sentimentality. "The Belly of an Architect" is all that: it is filled with symbolism and references to history, Art, and anatomy. It is also a social satire on difference between cultures but it is a compelling and moving story of one man's descending to chaos, hopelessness, despair, and eventually death. This is the first Greenaway's movie since "The cook, The Thief, His Wife, and Her Lover" that made me feel compassion for its protagonist. I believe it is due to the incredible performance by Brian Dennehy - quite unusual name for a Greenaway's film but was he great as the architect of the title. Dennehy creates a character that is not likable as the film begins but heartbreaking and tragic by the end.

8/10
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