In late 19th Century a writer returns to Paris to learn that his acclaimed novel may be censored by the government since it seems to contain proceeds from a secret trial. At this time someone connected with that trial is killed by what seems to be a catman. The writer, who has memory lapses, is suspected, especially when his fiancée is also a victim, but his mentor and the daughter of his publisher with whom he is falling in love strive to protect him.
Although not a classic like Cat People, it is of the 1940's genre of horror films involving supernatural transformations, films that aspired to be atmospheric and subtle, avoiding the use of already worn-out clichés of the '30's horror films and generally not employing established horror-picture stars. Catman was slickly produced (for a B-minus film), but being done by Republic Studios it not surprisingly featured many elements of Western films (can-can girls, a saloon brawl, a carriage chase). --- The cast is excellent. It's a treat to see suave Austrian Carl Esmond in a leading role, while Slovenian actress Lenore Aubert, in perhaps her most engaging role, is well showcased here. Also, Adele Mara is a knockout, and always reliable Douglas Dumbrille is particularly good.
It is, of course, a minor film and will not please those, easily bored, who prefer their horror blood drenched with a thrill a second, or those who prefer only vintage films with major stars. But it a somewhat novel twist on the classic horror film and this reviewer has enjoyably viewed it several times.
Although not a classic like Cat People, it is of the 1940's genre of horror films involving supernatural transformations, films that aspired to be atmospheric and subtle, avoiding the use of already worn-out clichés of the '30's horror films and generally not employing established horror-picture stars. Catman was slickly produced (for a B-minus film), but being done by Republic Studios it not surprisingly featured many elements of Western films (can-can girls, a saloon brawl, a carriage chase). --- The cast is excellent. It's a treat to see suave Austrian Carl Esmond in a leading role, while Slovenian actress Lenore Aubert, in perhaps her most engaging role, is well showcased here. Also, Adele Mara is a knockout, and always reliable Douglas Dumbrille is particularly good.
It is, of course, a minor film and will not please those, easily bored, who prefer their horror blood drenched with a thrill a second, or those who prefer only vintage films with major stars. But it a somewhat novel twist on the classic horror film and this reviewer has enjoyably viewed it several times.