A tale of two anarchists;yet the director,Giuliano Montaldo,is an interesting and experienced one
7 June 2007
Warning: Spoilers
Sacco e Vanzetti (1971)has the finest music a political propaganda flick can have or afford:a song of Joan Baez,always ready for some leftist propaganda,and Ennio Morricone's score.

The narration is strong, logic and energetic.Two Italian anarchists,living in the USA,in '20 (why,since they might live in the Soviet Union,the proletarians' motherland,where almost all was fine and the justice was made and the trials were as fair as possible …),are unjustly accused of a murder they have not committed.But the trial is in fact political,and not penal.The film celebrates the two anarchists as heroes of the proletariat and it has a purely political and historical content.It is a keen criticism of racism and of political trials.

When,in other countries,in fierce leftist regimes,people like Nicola Sacco and Bartolomeo Vanzetti became prosecutors,they did not want to know about justice,correct trials,and mercy.And when Gian Maria Volontè tells the governor about violence and the various forms of violence,the crap philosophy reaches a pinnacle with Gian Maria Volontè's remark that knowing the fact that one will die is also a violence (like this could justify anarchism).

Sacco e Vanzetti (1971) is surely a good movie,and as a matter fact one of the few well made films of political propaganda. Through this quite interesting chapter of social and political history,the director Giuliano Montaldo has a political message to convey.So,a very good and interesting movie,but with an unusual bad performance from Gian Maria Volontè:his role is very strident and of an rhetorical triteness,a piece of ridiculous declamation.I was looking forward to see this Italian movie since '88,when I saw an image of the two main actors in a magazine. The political lesson of Sacco e Vanzetti (1971) is very flawed and unrighteous.While the two anarchists were asking justice in a political system they were doing everything to undermine,in countries led by similar leftist chiefs many millions were begging in vain for justice. Giuliano Montaldo tries to transform Bartolomeo Vanzetti into a political prophet,and into a strategist;which the man was not.In the '20s,two Italian anarchists with no education and political thought whatsoever could think that by promoting anarchism the social classes will be abolished and the humanity will leave in peace and prosperity,each working honestly,etc.;this was their political and cultural level.This kind of utopianism and irresponsibility has brought much harm.In '20,when the two anarchists were blaming the capitalism for being inhuman and unjust,horrible things were already happening in communist regimes.But I think this did not interest our goodhearted Utopists.Anyway,if leftist anarchists were irresponsible in '20,and had no idea about political things,even more shameless was Giuliano Montaldo's attitude in 1971,after all the Leninist and communist and leftist Carnages in Europe and in the rest of the world were well known.The brutal capitalism of the '20s system,as depicted in this film,and the thoughtless anarchism that has no idea about how to govern and instead proposes stupid and fantastical utopias about the society without classes,are not the only two alternatives.And since the movie seems to propose seriously the anarchism as a human and political attitude,it must be answered also seriously.

Giuliano Montaldo,now 77 years old,is the author of Nudi per Vivere (1964);Ad Ogni Costo (1967):with Janet Leigh,Edward G. Robinson and Klaus Kinski;Machine Gun McCain;Dio è con Noi (1969):with Richard Johnson,Franco Nero;Giordano Bruno (1973) with Gian Maria Volontè and Charlotte Rampling;The Gold Rimmed Glasses ;Time to Kill :with Nicolas Cage;and Mind Control:with Ben Gazzara,Ingrid Thulin,Andréa Ferréol ....

The cast of Sacco e Vanzetti (1971)includes Cyril Cusack,Riccardo Cucciolla.
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