This was the opening chapter in the Crime Doctor series from Columbia, and as usual the first cut is the deepest. The other nine films veered from lightly sparkling to slightly insipid but all lovely to see - this one was strikingly thought provoking with many memorable scenes scattered throughout. Additionally the production values, acting and plots were of a consistently high standard, and basically Columbia allowed Warner Baxter a six year holiday with the filming of them to help him recover his dodgy health.
A man is tossed out of a moving car as one dead in 1932, turns out an amnesiac who is nursed back to good health by a good doctor who encourages him to become a good friend, good citizen and ultimately a good psychiatrist. He achieves all this by 1943, by which time his shady past is starting to catch up with him, 3 dumb guys eager to reclaim USD 200,000 stolen in his previous life. How it all unfolds and is resolved is as ingenious as the b picture format and the Hays Office could allow. Favourite bits: The 4 of them sitting round the table in Frankie's, all wondering what was going off; Margaret Lindsay almost too exquisite too watch here; Leon Ames, the violent patriot in prison for life then out in a twinkling; the trial of Phil Morgan and Robert Ordway.
It should be an incredibly rewarding 65 minutes to fans of this genre of film, if you find yourself unmoved by it my advice is don't bother with the rest and do yourself and the fans a favour.
A man is tossed out of a moving car as one dead in 1932, turns out an amnesiac who is nursed back to good health by a good doctor who encourages him to become a good friend, good citizen and ultimately a good psychiatrist. He achieves all this by 1943, by which time his shady past is starting to catch up with him, 3 dumb guys eager to reclaim USD 200,000 stolen in his previous life. How it all unfolds and is resolved is as ingenious as the b picture format and the Hays Office could allow. Favourite bits: The 4 of them sitting round the table in Frankie's, all wondering what was going off; Margaret Lindsay almost too exquisite too watch here; Leon Ames, the violent patriot in prison for life then out in a twinkling; the trial of Phil Morgan and Robert Ordway.
It should be an incredibly rewarding 65 minutes to fans of this genre of film, if you find yourself unmoved by it my advice is don't bother with the rest and do yourself and the fans a favour.