7/10
Rosalind Russell takes on Emily Pollifax
11 September 2007
In her final theatrical film (there would be a TV movie in 1972), Rosalind Russell plays novelist Dorothy Gilman's Mrs. Pollifax in "Mrs. Pollifax, Spy." This 1971 film also stars Darren McGavin, Nehemiah Piersoff, Albert Paulson, Harold Gould, John Beck and Dana Elcar. The script is written by Russell under a pseudonym. Mrs. Pollifax is an elderly woman who after being widowed volunteers to be a spy for the CIA. Since she looks so un-spylike, one of the people at the CIA (Elcar) decides to try her out on a mission. She is to go to Mexico, head for a bookstore, watch for The Tale of Two Cities in the window, enter the bookstore when she sees the book has been placed in the window, exchange some code sentences with the owner, get the book and leave. Except it doesn't go that way. Before Mrs. Pollifax knows what hit her, she's en route to an Albanian fortress with a man, John Sebastian Farrell (McGavin). They share a cell. Mrs. Pollifax goes to work plotting their escape as Farrell recovers from a bullet wound.

The Mrs. Pollifax books make for light, fun reading, and this pleasant story is along the same benign lines. Some of the elements of the books are disregarded - for instance, Mrs. Pollifax's children never were told she was a spy as they are here. Rosalind Russell does an excellent job, and she looks wonderful, particularly when one remembers how blown up the poor woman was from steroids due to her rheumatoid arthritis later on. She was such a striking woman with a strong presence in the films she made over her career. Darren McGavin isn't Gilman's Farrell, but his dry humor is effective just the same - another actor who, like Russell, is sorely missed.

This movie doesn't move very quickly; in fact, it's slow in parts, but there are some good scenes, particularly the Christmas party that Mrs. Pollifax talks her jailers into throwing. You can really admire her charm and cleverness.

"Mrs. Pollifax, Spy" is one of those comfortable movies where one sees a lot of familiar faces and an okay story. You'll see worse, you'll see better - but seeing Russell and McGavin more than makes up for the script's shortcomings.
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