It is very difficult for me to discuss the various merits of the 1962 Spanish-French horror film "The Awful Dr. Orlof" without comparing them to the French-Italian horror film "Les Yeux Sans Visage" ("Eyes Without a Face"), which came out three years earlier. While both films concern a deranged doctor who kidnaps young women in order to procure skin grafts for his mutilated daughter, "Les Yeux" is the classier of the two; more literate, more shocking and more poetic. Still, despite its lousy reputation, "Orlof" does have lots to offer. It is beautifully shot in B&W, with consistently interesting camera work, and features an effectively creepy score, utilizing mainly piano, percussion and weird sound effects. Thus, a genuinely unsettling aura is achieved throughout the picture. The film also boasts some surprising nudity and a few shock scenes; these latter are not as gross as the ones in "Les Yeux," but still make an impression. And whereas "Les Yeux" gave us the sinister and beautiful Valli as the mad doctor's accomplice, "Orlof" gives us Morpho, a scarred, bug-eyed human robot whose every appearance is visually fascinating. The gorgeous Spanish actress Diana Lorys also stands out here as the police inspector's ballerina girlfriend who goes undercover to stop the demented doctor. Though a fairly paint-by-numbers affair, "Orlof" still proved a fun and riveting entertainment for me, and, thanks to the fine folks at Image Entertainment, it has been nicely transferred into a fine-looking DVD. Too bad about the terrible dubbing, however; subtitles would've been so much more preferable.
Review of The Awful Dr. Orlof
