This show was already in Saturday morning re-runs when I first watched it. And, I loved it!
The "good vs. evil" plots might seem corny, by today's standards. But, we have to remember that this was produced during comparatively simpler times. When morality was just as black-and-white as the film stock the studios used.
Furthermore, the hero and heroine practiced what they preached! Nor did they preach using four-letter words. Unlike, say, Dennis Franz on NYPD BLUES.
Last, but not least? This was not a "steampunk" Western.
The fictional city in which Roy and Dale made their home was contemporaneous with the shows' audience. It's just that the locals maintained a 19th-century ambiance for the tourist trade, similar to Virginia City, Nevada. So, the mixture of "old and new," especially modes of transportation, was most definitely _not_ anachronistic!
In short, I am unalterably convinced that this show should be praised, rather than condemned, for the beneficial values it tried to instill in its mostly young viewers. That some of us might not have grown up to live by those values is--to paraphrase Shakespeare--not the fault of this show's stars. But, of ourselves.
The "good vs. evil" plots might seem corny, by today's standards. But, we have to remember that this was produced during comparatively simpler times. When morality was just as black-and-white as the film stock the studios used.
Furthermore, the hero and heroine practiced what they preached! Nor did they preach using four-letter words. Unlike, say, Dennis Franz on NYPD BLUES.
Last, but not least? This was not a "steampunk" Western.
The fictional city in which Roy and Dale made their home was contemporaneous with the shows' audience. It's just that the locals maintained a 19th-century ambiance for the tourist trade, similar to Virginia City, Nevada. So, the mixture of "old and new," especially modes of transportation, was most definitely _not_ anachronistic!
In short, I am unalterably convinced that this show should be praised, rather than condemned, for the beneficial values it tried to instill in its mostly young viewers. That some of us might not have grown up to live by those values is--to paraphrase Shakespeare--not the fault of this show's stars. But, of ourselves.