Yes this is a slow moving police investigation. After the initial massacre on a SF city bus, that does a great job of pulling the audience in, the action slows considerably.
The initial crime scene investigation is both authentic and pathetic. It is a glaring example of poor techniques that were employed by all police departments as recently as the 1980's. In this movie all the detectives were traipsing through the crime scene, smoking cigarettes and touching everything in sight.
Though the autopsy scene is long and the actors playing the corpses couldn't quite stay still, the actual autopsy was painfully authentic. Also authentic was the medical care given to the only living bus passenger. This was way before ET and ER and dare I say probably influenced both.
The characters and the themes the detectives deal with mirror the change and turmoil that defined the 1970's. The seedy city that has been romanticized recently is well represented in this film: promiscuous gays, pimps and prostitutes, kinky sex all out in the public.
Those things are the real strengths of the film. The murderer himself is a let down as is investigation that leads to him. A rich man kills a detective to prevent that detective from fingering him as the murderer of the rich man's wife. He kills everybody on the bus as cover. Oh please. If he is that ruthless and smart to do that, than he is not going to hold onto the gun, or get spooked by some detective who shows up with an old photo. The climactic scene on the bus, when the killer gets shot while trying to wipe out another detective on another city bus is so contrived as to be laughable (perhaps how they came up with the tile).
Overall, enjoyable as a period piece and character study.
The initial crime scene investigation is both authentic and pathetic. It is a glaring example of poor techniques that were employed by all police departments as recently as the 1980's. In this movie all the detectives were traipsing through the crime scene, smoking cigarettes and touching everything in sight.
Though the autopsy scene is long and the actors playing the corpses couldn't quite stay still, the actual autopsy was painfully authentic. Also authentic was the medical care given to the only living bus passenger. This was way before ET and ER and dare I say probably influenced both.
The characters and the themes the detectives deal with mirror the change and turmoil that defined the 1970's. The seedy city that has been romanticized recently is well represented in this film: promiscuous gays, pimps and prostitutes, kinky sex all out in the public.
Those things are the real strengths of the film. The murderer himself is a let down as is investigation that leads to him. A rich man kills a detective to prevent that detective from fingering him as the murderer of the rich man's wife. He kills everybody on the bus as cover. Oh please. If he is that ruthless and smart to do that, than he is not going to hold onto the gun, or get spooked by some detective who shows up with an old photo. The climactic scene on the bus, when the killer gets shot while trying to wipe out another detective on another city bus is so contrived as to be laughable (perhaps how they came up with the tile).
Overall, enjoyable as a period piece and character study.