In "Hostel", a group of young men end up at a hostel in Slovakia that kidnaps people for its clients to torture and kill. Now, a group of American girls ends up at the same hostel. Will they meet the same fate, or perhaps they'll have more luck? And what ever became of the kids from the first film?
Full disclosure: I didn't like "Hostel" very much. I loved "Cabin Fever", but grew weary of Eli Roth after his second feature. So "Hostel 2" sat unreviewed for several month before I finally broke down and watched it. Guess what? We have a sequel that eclipses the original in every way -- this one is pretty amazing. Relying far less on torture and excessive nudity (although both are present here), we get an actual plot, likable characters and best of all a glimpse into the other side.
Torture clients aren't just faceless monsters in "Hostel 2", but real people with hopes, dreams and fears. There is a depth and complexity to them that allows us to almost sympathize with their angle, no matter how reprehensible they may be. (Some of them are still just ruthless killers, of course.) At one point, a potential murderer raises a philosophical point posed in the past by Hobbes, Rousseau and Locke: without laws, how is man naturally going to respond to others in a state of nature? To some degree, they attempt to answer this question. ("Battle Royale" also addressed this, though the characters in that film were in a more forced and less natural environment.)
Focusing on a female cast rather than male one really helps, I think. Let's assume the audience (mostly male) wants to see beautiful women, which I think is a safe assumption. In the first film, to accomplish this the boys had to come across numerous loose women with no character development. Visually appealing, sure -- but no substance. By having a female cast, the male audience gets to watch the young ladies the majority of the time while also developing a plot and character motivations. Nudity is less prevalent (but still present). Roth is fully capable of telling a story, as this movie shows, and I'm glad he chooses this over the shock value of sex and torture.
The cast is interesting. Rick Hoffman, who was "The American client" in the first film, returns as "the American businessman". He is something of an anti-hero. While we ought to be against him (he's after the protagonists), the film gives us the point of view that he's just being human, no matter how awful he comes across. Another great cameo is Ruggero Deodato, the maestro of Italian cannibal films ("Last Cannibal World" and "Cannibal Holocaust"). He appears, appropriately, as the Italian cannibal. His scene was not initially in the script (Roth showed up on Deodato's set personally to invite him to Prague) but I think it really clinches the deal of providing us a film that is both new and also giving homage to the classic.
Although you have to see "Hostel" to fully understand "Hostel 2", I think the punishment is worth the reward. For everything the first film lacked, the second makes up for it and then some. Romance, comedy, torture... a truly well-rounded horror film, which is a growing rarity in this age of shock cinema. Highly recommended.
Full disclosure: I didn't like "Hostel" very much. I loved "Cabin Fever", but grew weary of Eli Roth after his second feature. So "Hostel 2" sat unreviewed for several month before I finally broke down and watched it. Guess what? We have a sequel that eclipses the original in every way -- this one is pretty amazing. Relying far less on torture and excessive nudity (although both are present here), we get an actual plot, likable characters and best of all a glimpse into the other side.
Torture clients aren't just faceless monsters in "Hostel 2", but real people with hopes, dreams and fears. There is a depth and complexity to them that allows us to almost sympathize with their angle, no matter how reprehensible they may be. (Some of them are still just ruthless killers, of course.) At one point, a potential murderer raises a philosophical point posed in the past by Hobbes, Rousseau and Locke: without laws, how is man naturally going to respond to others in a state of nature? To some degree, they attempt to answer this question. ("Battle Royale" also addressed this, though the characters in that film were in a more forced and less natural environment.)
Focusing on a female cast rather than male one really helps, I think. Let's assume the audience (mostly male) wants to see beautiful women, which I think is a safe assumption. In the first film, to accomplish this the boys had to come across numerous loose women with no character development. Visually appealing, sure -- but no substance. By having a female cast, the male audience gets to watch the young ladies the majority of the time while also developing a plot and character motivations. Nudity is less prevalent (but still present). Roth is fully capable of telling a story, as this movie shows, and I'm glad he chooses this over the shock value of sex and torture.
The cast is interesting. Rick Hoffman, who was "The American client" in the first film, returns as "the American businessman". He is something of an anti-hero. While we ought to be against him (he's after the protagonists), the film gives us the point of view that he's just being human, no matter how awful he comes across. Another great cameo is Ruggero Deodato, the maestro of Italian cannibal films ("Last Cannibal World" and "Cannibal Holocaust"). He appears, appropriately, as the Italian cannibal. His scene was not initially in the script (Roth showed up on Deodato's set personally to invite him to Prague) but I think it really clinches the deal of providing us a film that is both new and also giving homage to the classic.
Although you have to see "Hostel" to fully understand "Hostel 2", I think the punishment is worth the reward. For everything the first film lacked, the second makes up for it and then some. Romance, comedy, torture... a truly well-rounded horror film, which is a growing rarity in this age of shock cinema. Highly recommended.