Spanish-British co-production that is one of the most representative exponents of Spanish horror cinema, gaining great popularity in the early seventies. The film contains an atmospheric mix of hair-raising thrills and surprising chills, combined with a fantastic ending, though most of the action revolves around the attempts to chase and kill this strange creature.1906, in the remote Manchuria, professor Alexander encounters a long frozen corpse. When he smuggles it aboard the Transiberian train, then the monster is awakened and coming to life, breaking out, running rampant around the train and making a killing rampage. Meanwhile, archaeologist Alexander Saxton (Christopher Lee) meets professor Welles(Peter Cushing). Both join forces against the weirdo creature. The movie depicts the havoc and killing that begin when the monster escapes, lurks and terrorizes. The bulk of action surrounds their attempts to chase and intent on killing this bizarre creature. Meantime, the passengers and crew run afoul, they're forced to fight their lives and pursued by the killer beast which is making a brutal slaughter.
The film was a surprise at its premiere, getting a large international cast, starring the two most representative actors of Hammer Films and obtaining great success at the global box office, dealing with a ferocious prehistoric monster that is transported on the Trans-Siberian train, when the monster awakens and comes to life, subsequently running rampant around the train and causing an astonishing carnage. Well directed by Eugenio Martin, specialized in this type of genre productions, he makes an impressive film, knowing how to use very well the train where the action takes place, the models, the characterizations of the actors, as well as the special effects with lots of guts and gore. The film not only has nothing to envy, but also resembles the Hammer productions at the time. It displays lots of guts and blood but it seems pretty mild compared to today's gore feasts. It's an unrelenting shock-feast laced with nice acting by the two Hammer genre's stars that deserves its cult status. Furthermore, magnificent Telly Savalas , before Kojak, as a crazed Cossack commander and Alberto De Menzoza as a Rasputin-style monk. Lively secondary cast is frankly cool, so the supporting cast is downright great, made up of well-known Spanish actors, such as: Alberto De Mendoza, Silvia Tortosa, Angel Del Pozo, Víctor Israel, Helga Liné, José Jaspe, José Canalejas, José Marco, Barta Barri, Jorge Rigaud, among others.
This unfolds a bone-chilling and suspenseful musical score by John Cavacas. Next to a lush photograph with juicy atmosphere by Alejandro Ulloa, but unfortunately it becomes too murky in some edited prints. Good work by makeup supervisor Julián Ruiz and evocative sets by Ramiro Gómez. The film was well and competently directed by Eugenio Martin or Gene Martin. He was an expert in horror films (Hypnosis, A Candle for the Devil, The Fourth Mrs. Anderson) and Spaghetti Westerns (Pancho Villa, Bounty Hunter, The Bad River Man). Rating: 7/10. Above average. It is a relentless feast of shocks with enjoyable performances by the two stars of the Hammer genre, well worth seeing. A very decent horror film that seems pretty tame compared to today's gore feasts.
The film was a surprise at its premiere, getting a large international cast, starring the two most representative actors of Hammer Films and obtaining great success at the global box office, dealing with a ferocious prehistoric monster that is transported on the Trans-Siberian train, when the monster awakens and comes to life, subsequently running rampant around the train and causing an astonishing carnage. Well directed by Eugenio Martin, specialized in this type of genre productions, he makes an impressive film, knowing how to use very well the train where the action takes place, the models, the characterizations of the actors, as well as the special effects with lots of guts and gore. The film not only has nothing to envy, but also resembles the Hammer productions at the time. It displays lots of guts and blood but it seems pretty mild compared to today's gore feasts. It's an unrelenting shock-feast laced with nice acting by the two Hammer genre's stars that deserves its cult status. Furthermore, magnificent Telly Savalas , before Kojak, as a crazed Cossack commander and Alberto De Menzoza as a Rasputin-style monk. Lively secondary cast is frankly cool, so the supporting cast is downright great, made up of well-known Spanish actors, such as: Alberto De Mendoza, Silvia Tortosa, Angel Del Pozo, Víctor Israel, Helga Liné, José Jaspe, José Canalejas, José Marco, Barta Barri, Jorge Rigaud, among others.
This unfolds a bone-chilling and suspenseful musical score by John Cavacas. Next to a lush photograph with juicy atmosphere by Alejandro Ulloa, but unfortunately it becomes too murky in some edited prints. Good work by makeup supervisor Julián Ruiz and evocative sets by Ramiro Gómez. The film was well and competently directed by Eugenio Martin or Gene Martin. He was an expert in horror films (Hypnosis, A Candle for the Devil, The Fourth Mrs. Anderson) and Spaghetti Westerns (Pancho Villa, Bounty Hunter, The Bad River Man). Rating: 7/10. Above average. It is a relentless feast of shocks with enjoyable performances by the two stars of the Hammer genre, well worth seeing. A very decent horror film that seems pretty tame compared to today's gore feasts.