The horror-comedy film has to be one of the most difficult types to get right, and more often than not the efforts of those who attempt it are mediocre to say the least. Shaun of the Dead and The Evil Dead movies work pretty well, but other than these two (and maybe the first Tremors) the genre is littered with failures. The Cottage, while not an out and out failure, does struggle in its attempt to mix laughs with gore but, despite this, it does manage to be reasonably entertaining.
In a rare leading role Andy Serkis plays a down-on-his-luck villain who has talked his finicky brother (League of Gentlemen's Reece Shearsmith) into helping him kidnap the foul-mouthed daughter (Jennifer Ellison) of a lap-club owner in an attempt to earn enough to buy himself a boat and sail away to a better life. The trouble is that the daughter, Tracey, is more feisty than both the brothers and their hapless accomplice, Tracey's step-brother Andrew (Steven O'Donnell) put together and soon has the tables turned.
The film switches from a crime comedy to a gory horror when the various characters gradually converge on a remote farmhouse inhabited by a faceless farmer (reminiscent of TCSM's Leatherface) who sets about killing them in a variety of inventive ways.
The film never really sets out to scare the viewer with sudden noises or jump cuts, but it does wallow in various different forms of mutilation and amputation. It's heavily influenced by and references a number of classic horror films while managing to keep its own identity but, as others have pointed out, it is wildly uneven with the fate of one character and the back-story of the deranged farmer insufficiently explained. Other minus points are Serkis' largely monotone delivery of his lines and a huge amount of profanity. I've been known to utter the odd swear word myself every hour or so, but the guys in this film seem unable to string a sentence together without inserting at least a couple of the choicest swear words.
In a rare leading role Andy Serkis plays a down-on-his-luck villain who has talked his finicky brother (League of Gentlemen's Reece Shearsmith) into helping him kidnap the foul-mouthed daughter (Jennifer Ellison) of a lap-club owner in an attempt to earn enough to buy himself a boat and sail away to a better life. The trouble is that the daughter, Tracey, is more feisty than both the brothers and their hapless accomplice, Tracey's step-brother Andrew (Steven O'Donnell) put together and soon has the tables turned.
The film switches from a crime comedy to a gory horror when the various characters gradually converge on a remote farmhouse inhabited by a faceless farmer (reminiscent of TCSM's Leatherface) who sets about killing them in a variety of inventive ways.
The film never really sets out to scare the viewer with sudden noises or jump cuts, but it does wallow in various different forms of mutilation and amputation. It's heavily influenced by and references a number of classic horror films while managing to keep its own identity but, as others have pointed out, it is wildly uneven with the fate of one character and the back-story of the deranged farmer insufficiently explained. Other minus points are Serkis' largely monotone delivery of his lines and a huge amount of profanity. I've been known to utter the odd swear word myself every hour or so, but the guys in this film seem unable to string a sentence together without inserting at least a couple of the choicest swear words.