Review of Hunger

Hunger (2008)
9/10
Visceral
5 November 2008
Warning: Spoilers
Believe it or not my path only crossed with this film on a rainy day when Quantom of Solace was sold out at the multiplex. I was aware of the historical background to the Northern Irish Troubles and the notorious Maze prison, the last thing i was wanted to see on screen was a glorified Republican political point scoring exercise. Many newspapers and MPs had been jumping on the possibility of the film being portrayed as pro IRA. I can say now with confidence that they're assumptions could not be more wrong. Hunger, is a brutal, graphic and pragmatic interpretation of what the last 6 weeks for Bobby Sands were like, frankly, a desperate decision that led to a slow and painful death, all in aid of the cause.

My two favourite parts of this film, has to be priest trying to give mass and Bobby Sands conversation with the priest and my total surprise at the dialogue between characters. I was waiting the prisoners to settle down and soak up religion, in addition when Sands stated his intention to hunger strike, i expected the priest to bombard him with sentiment and morality. What we get instead is a perfect example of how far the conflict had become removed from freverent religious belief and proliferation of beliefs, the film focuses on the sole fact that it has come a war of extermination, the exact beginnings of which have long been forgotten in the mess and carnage of Republican and Loyalist campaigns.

With the conversation with the Father Moran, i found myself identifying with his character, trying his hardest to persuade a friend from taking his life, only using morality as his last strand of defence. He states all thing unseen consequences to a immovable Bobby Sands; radicalisation of the movement, the recruitment of the loyalist paramilitaries, throwing Northern Ireland into more years of bloodshed basically Sands was lighting the touch paper because he was disillusioned with the leadership, and I have to agree with Moran's characters conclusion that it was ego driving Sands on.

I left the cinema numb, unfeeling and depressed. It was a representation of a human beings last resort for rights or recognition. I would not consider this film to be pro anything, I consider it to be a realist interpretation of the last weeks of Bobby Sands.
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