The best, if not exactly satisfying, of the three seemingly randomly-chosen swashbucklers by Universal to accompany the above-average Errol Flynn vehicle AGAINST ALL FLAGS (1952) is this unusual entry in the genre.
As the title has it, lead Jeff Chandler is a U.S. naval officer who's ordered to carry out acts of piracy in order to ferret out the real culprits behind the sinking of American ships. These prove to be an amalgamation of Brazilian, Portuguese and Spanish villains (led by our own Joseph Calleia hiding under the respectable guise of the Spanish governor whose appearance is delayed until the last half-hour, but he's as reliable as ever and like the Robert Douglas of BUCCANEER'S GIRL [1950], from the same director, is allowed to go free after being made to walk the plank).
Chandler himself who would later star in the similarly-titled genre outing YANKEE PASHA (1954) is a bit of a martinet, with rebellious first-mate and ex-student Scott Brady usually at the receiving end of his ire; when he tries to make up for his errors behind the captain's back, by fixing the ship's rudder at night, Brady's attacked by and kills a shark! This animosity eventually intensifies when the latter comes back from a scouting expedition to the Indies with a Portuguese countess (luscious Suzan Ball, whose debut this was: she had a brief and tragic career, dying in 1955 at the tender age of 21!).
Though the film is far from a classic, slightly marred by the resistible comic antics of George Mathews and featuring little traditional action before the last reel, it's a reasonably enjoyable romp nonetheless with a rousing score by an uncredited(!) Milton Rosen and shot in glorious Technicolor by the distinguished Russell Metty.
As the title has it, lead Jeff Chandler is a U.S. naval officer who's ordered to carry out acts of piracy in order to ferret out the real culprits behind the sinking of American ships. These prove to be an amalgamation of Brazilian, Portuguese and Spanish villains (led by our own Joseph Calleia hiding under the respectable guise of the Spanish governor whose appearance is delayed until the last half-hour, but he's as reliable as ever and like the Robert Douglas of BUCCANEER'S GIRL [1950], from the same director, is allowed to go free after being made to walk the plank).
Chandler himself who would later star in the similarly-titled genre outing YANKEE PASHA (1954) is a bit of a martinet, with rebellious first-mate and ex-student Scott Brady usually at the receiving end of his ire; when he tries to make up for his errors behind the captain's back, by fixing the ship's rudder at night, Brady's attacked by and kills a shark! This animosity eventually intensifies when the latter comes back from a scouting expedition to the Indies with a Portuguese countess (luscious Suzan Ball, whose debut this was: she had a brief and tragic career, dying in 1955 at the tender age of 21!).
Though the film is far from a classic, slightly marred by the resistible comic antics of George Mathews and featuring little traditional action before the last reel, it's a reasonably enjoyable romp nonetheless with a rousing score by an uncredited(!) Milton Rosen and shot in glorious Technicolor by the distinguished Russell Metty.