Full disclosure: I was a teenager when the original "Knight Rider" aired back in the early 1980s. The whole "Solitary Samaritan" thing, a device for which this show was known, is something I like (See "The Incredible Hulk" or -- to a certain extent -- "The A-Team"), and as cheesy as the original looks today, it still holds on to much of its charm.
That said, I awaited the new "Knight Rider" with baited breath. With all that is possible with 21st-Century visual effects and technology, I wanted to see what they can do with one my favorite adolescent chestnuts. I watched the pilot. I saw viable technology with some "Gee-whiz" factor thrown in. I saw Michael and his comely comrade get into a scrape and, with KITT's help, they escaped unharmed. And KITT's transformation sequences were a real attention-getter, until I noticed a severe continuity problem. In one episode, Michael tells KITT to switch back to normal mode in a secluded area to avoid it ending up as video footage on YouTube, yet KITT frequently transforms in public areas (Vegas in broad daylight, for example). Still, I think they did well with KITT, and the fact that they landed Val Kilmer as its voice was a real "get".
Now to what is wrong with the show. Michael (Justin Bruening) is a lunkhead. Oh, he looks hunky to pass off as a young Hasselhoff, but at least Hasselhoff can act. Michael's on-again-off-again relationship with Sarah (Deanna Russo) is actually well done, but there's no chemistry! Russo does a fine job, but Bruening doesn't click for me.
You know who does click, though? Billy (Paul Campbell) and Zoe (Smith Cho). These two are actually good enough to keep this show afloat, especially since NBC's announcement that the cast is getting trimmed and the show's focus will be more like the original's "Solidary Samaritan" formula.
If you ask me, saying that the second bananas far exceed the leads speaks volumes. If this "new direction" doesn't work, then maybe NBC should resuscitate last year's cancelled "Bionic Woman". At least that show was interesting; it was just an unfortunate casualty of the Writer's Strike of 2007-08.
That said, I awaited the new "Knight Rider" with baited breath. With all that is possible with 21st-Century visual effects and technology, I wanted to see what they can do with one my favorite adolescent chestnuts. I watched the pilot. I saw viable technology with some "Gee-whiz" factor thrown in. I saw Michael and his comely comrade get into a scrape and, with KITT's help, they escaped unharmed. And KITT's transformation sequences were a real attention-getter, until I noticed a severe continuity problem. In one episode, Michael tells KITT to switch back to normal mode in a secluded area to avoid it ending up as video footage on YouTube, yet KITT frequently transforms in public areas (Vegas in broad daylight, for example). Still, I think they did well with KITT, and the fact that they landed Val Kilmer as its voice was a real "get".
Now to what is wrong with the show. Michael (Justin Bruening) is a lunkhead. Oh, he looks hunky to pass off as a young Hasselhoff, but at least Hasselhoff can act. Michael's on-again-off-again relationship with Sarah (Deanna Russo) is actually well done, but there's no chemistry! Russo does a fine job, but Bruening doesn't click for me.
You know who does click, though? Billy (Paul Campbell) and Zoe (Smith Cho). These two are actually good enough to keep this show afloat, especially since NBC's announcement that the cast is getting trimmed and the show's focus will be more like the original's "Solidary Samaritan" formula.
If you ask me, saying that the second bananas far exceed the leads speaks volumes. If this "new direction" doesn't work, then maybe NBC should resuscitate last year's cancelled "Bionic Woman". At least that show was interesting; it was just an unfortunate casualty of the Writer's Strike of 2007-08.