The Prodigal (1955)
5/10
THE PRODIGAL (Richard Thorpe, 1955) **
17 January 2009
When I attended religious doctrine classes as a kid, the parable of The Prodigal Son was always my favorite; however, I never visualized it quite like it is depicted in this film – but that's Hollywood for you! Actually, I hadn't intended to watch it just now (being ideal Good Friday fare) but it was the only handy vehicle I owned featuring star Edmund Purdom, who passed away on New Year's Day. Anyway, considering the maligned reputation of THE SILVER CHALICE (1954) – which I caught recently, coincidentally in tribute to its own leading man, Paul Newman – I must admit that I found this an even lesser (and duller) Biblical outing! True, Christ's parable does not provide much detail of the hero's experiences after he leaves his Hebrew hometown for another (Pagan) city…but what we have here is among the lamest and most stodgily presented trips along the wayward path this side of Cecil B. De Mille (being closest in theme to his SAMSON AND DELILAH [1949])! Though the supporting cast looks mighty impressive on paper (including two from THE SILVER CHALICE itself, namely Joseph Wiseman and Walter Hampden) – Neville Brand, Louis Calhern, Paul Cavanaugh, Henry Daniell, John Dehner, Cecil Kellaway and Francis L. Sullivan – the participants are either given little to do or embarrassed by their unwieldy costumes and unflattering make-up (especially Brand's, making him look like a 20th century wrestler!). Of course, while the film purports to tell Purdom's tale, MGM saw fit to give top billing to their resident alluring star Lana Turner but, needless to say, this type of role did nothing to her career and she was probably happy to throw herself into "women's pictures" thereafter. However, perhaps the film's biggest fault is the fact that the film-makers thought it imperative to include such incongruous scenes as Purdom hilariously grappling with a fake voracious buzzard and the spectacular action-packed finale which totally subverts Christ's message, in that the hero is seen returning home humbled (so as to conform with the original text) when truly he should have flaunted the victory of his God over the rampant Paganism in Damascus!
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