6/10
An indie cliché
24 January 2009
Warning: Spoilers
The first thing that crossed my mind when I had watched this movie for a few minutes was how predictable some things were.Oh,I thought.Here we have an aspiring indie flick,let's see how much I can guess from the story.It was more than I had hoped for unfortunately. Not that the acting is bad,it is not,but the story,the lines,the characters are unfortunately full of clichés.The lines often feels unnatural and far-fetched,people in real life won't talk to one another as if they were acting in an on-stage play.I'm sorry,they don't.

The free-spirited and deeply intellectual former radio host Frances has three children with three different men.Every man she meets is of course attracted to her and fascinated by her,and she has mother issues(the mother is now senile but still mean and lives in a nursing home.Anna,Frances's mother, looks much younger than she should,if we assume that the story takes place around 2000).Frances too looks far younger than around 70 as she should be as it's stated in the movie that she's born in 1930. Her two sons are both intellectuals/artists too,even if constantly broke.The daughter she had with her married lover Bob was of course given up for adoption and is now,as Frances is dying from cancer,looking for her.Her name is Rebecca and she is a highly paid lawyer in New York. God forbid she would be an unnoticed housewife in the middle of nowhere. Will she find her mother before she dies?

Sleepy time gal has it's qualities.It's almost hypnotic to watch,the score consists mostly of strings and jazz,naturellement. I would have been a lot more surprised,moved and shaken if the story had been more unpredictable.And if the lines had felt more genuine.
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