As a general rule, I don't quote dialogue from a movie in my comment summary (to me, it seems like the lazy thing to do), but the above line, as uttered by Terry O' Quinn towards the end of The Stepfather, is so perfectly delivered that I decided to make an exception. And this is just one of many genuinely chilling moments in this excellent 80s thriller that go to make it unmissable entertainment for anyone who loves scary movies.
The lovely Jill Schoelen plays troubled teen Stephanie, who has every right to be disturbed: her father died a year ago, and she suspects that her new stepfather, the seemingly perfect Jerry (O'Quinn), is a serial killer. Of course, Stephanie is right—Jerry IS a complete nutter: desperate to become part of a perfect American family, he marries widows and divorcées with children, but kills them when they fail to measure up to his exacting standards.
Jim Ogilvie, the brother of one of Jerry's past victims, is hot on the psycho's trail, but with Jerry becoming increasingly disappointed with his new stepdaughter, will Jim catch up with the maniac before another family is slaughtered?
Sharply written, with excellent direction from Joseph Ruben, and a brilliant central performance from O'Quinn, The Stepfather rarely puts a foot wrong. At a push, one might argue that Jerry's ability to adopt a new persona after each massacre is a touch too easy, but this is a minor quibble and doesn't affect the power of the film in any way. Schoelen is also superb, offering just the right balance of vulnerability and spunky bravado (plus we get to see her in the shower–hurrah!).
The Stepfather proved to be a minor success on it's original release, and inevitably spawned a sequel, but over the past two decades, it seems to have been forgotten by many (no-one at my place of work seemed to know anything about it). Now that a remake is in the pipeline, perhaps more people will choose to investigate the original; it's a film that certainly deserves to be rediscovered by the masses.
The lovely Jill Schoelen plays troubled teen Stephanie, who has every right to be disturbed: her father died a year ago, and she suspects that her new stepfather, the seemingly perfect Jerry (O'Quinn), is a serial killer. Of course, Stephanie is right—Jerry IS a complete nutter: desperate to become part of a perfect American family, he marries widows and divorcées with children, but kills them when they fail to measure up to his exacting standards.
Jim Ogilvie, the brother of one of Jerry's past victims, is hot on the psycho's trail, but with Jerry becoming increasingly disappointed with his new stepdaughter, will Jim catch up with the maniac before another family is slaughtered?
Sharply written, with excellent direction from Joseph Ruben, and a brilliant central performance from O'Quinn, The Stepfather rarely puts a foot wrong. At a push, one might argue that Jerry's ability to adopt a new persona after each massacre is a touch too easy, but this is a minor quibble and doesn't affect the power of the film in any way. Schoelen is also superb, offering just the right balance of vulnerability and spunky bravado (plus we get to see her in the shower–hurrah!).
The Stepfather proved to be a minor success on it's original release, and inevitably spawned a sequel, but over the past two decades, it seems to have been forgotten by many (no-one at my place of work seemed to know anything about it). Now that a remake is in the pipeline, perhaps more people will choose to investigate the original; it's a film that certainly deserves to be rediscovered by the masses.