Directed by Stephen Daldry and written by David Hare, "The Reader" is a thought-provoking and surprising drama that takes the viewer in several different directions. Though some reviewers on this site are critical of Daldry and the film, in lesser hands, "The Reader" would be a total, erratic mess.
The story is told in flashback as the adult Michael Berg (Ralph Fiennes) remembers his youth. As a 15-year-old boy, the young Michael (David Kross) has his first forays into sex with an older woman, Hanna Schmitz (Kate Winslet) in 1958 Berlin. She helps him when he winds up on her doorstep, ill with scarlet fever; he returns to thank her when he's well. The two enter into a sexual relationship. As part of their time together, Hanna has Michael read to her. One day, Hanna simply disappears. The next time Michael sees her is in 1966, when he is a law student in Heidelberg and his class travels to watch a trial. It is then he realizes not one secret that Hanna carried with her, but two.
"The Reader" is, above all, a very human story of real, conflicted human beings, and the brilliant performances reflect this. David Kross is exceptional as the young Michael, in the throes of first, blinding passion, who, in the face of the truth about the woman he loved, endeavors to understand her nonetheless. Kate Winslet is magnificent, and that's the only word for her. Hardened by life and her unsentimental and uncompromising view of the world, she is cut off from people due to a secret she considers shameful. With Michael she allows herself some softness, and gives in to not only passion but emotion, sobbing when Michael reads a sad story to her. Winslet shows us all of this, her need to connect with someone, and her strict view of life. Ralph Fiennes turns in another excellent performance; Michael's world and his own isolation were shaped by Hanna. As an adult, he still grapples with a decision he made and his own guilt; he still tries to understand not only her but how he could love her, and in the midst of all of these complex emotions, he believes he owes her something. He ends up giving her the greatest gift he could - her dignity.
As with "Dead Man Walking," there is more to a person than his or her actions, reprehensible though they may be. We are not, after all, what we do but who we are. While some crimes are unforgivable, there is, shockingly, at times a connection with the perpetrator that allows us to see the person and extend a consideration that person never gave another. Thus murderers have loving parents and family, and someone who showed inhumanity to others has a little humanity shown them.
A very remarkable story.
The story is told in flashback as the adult Michael Berg (Ralph Fiennes) remembers his youth. As a 15-year-old boy, the young Michael (David Kross) has his first forays into sex with an older woman, Hanna Schmitz (Kate Winslet) in 1958 Berlin. She helps him when he winds up on her doorstep, ill with scarlet fever; he returns to thank her when he's well. The two enter into a sexual relationship. As part of their time together, Hanna has Michael read to her. One day, Hanna simply disappears. The next time Michael sees her is in 1966, when he is a law student in Heidelberg and his class travels to watch a trial. It is then he realizes not one secret that Hanna carried with her, but two.
"The Reader" is, above all, a very human story of real, conflicted human beings, and the brilliant performances reflect this. David Kross is exceptional as the young Michael, in the throes of first, blinding passion, who, in the face of the truth about the woman he loved, endeavors to understand her nonetheless. Kate Winslet is magnificent, and that's the only word for her. Hardened by life and her unsentimental and uncompromising view of the world, she is cut off from people due to a secret she considers shameful. With Michael she allows herself some softness, and gives in to not only passion but emotion, sobbing when Michael reads a sad story to her. Winslet shows us all of this, her need to connect with someone, and her strict view of life. Ralph Fiennes turns in another excellent performance; Michael's world and his own isolation were shaped by Hanna. As an adult, he still grapples with a decision he made and his own guilt; he still tries to understand not only her but how he could love her, and in the midst of all of these complex emotions, he believes he owes her something. He ends up giving her the greatest gift he could - her dignity.
As with "Dead Man Walking," there is more to a person than his or her actions, reprehensible though they may be. We are not, after all, what we do but who we are. While some crimes are unforgivable, there is, shockingly, at times a connection with the perpetrator that allows us to see the person and extend a consideration that person never gave another. Thus murderers have loving parents and family, and someone who showed inhumanity to others has a little humanity shown them.
A very remarkable story.