6/10
Who's In The Book?
7 September 2009
The first question I have to ask is why would Maximilien Robespierre, who generally was a pretty smart guy until he overreached, keep a written record of the people he's earmarking for denunciation and death. That's the sort of thing you'd think he'd have just in his head. But he's got it, people know he has it and unfortunately for Richard Basehart the wrong people know he has it.

Which brings me to the plot of the story of Reign Of Terror. The famous Marquis De Lafayette who was in exile at that point has sent an agent in the person of Robert Cummings to find the book and expose Robespierre's plans to eliminate possible opponents. The beautiful Arlene Dahl is working for another member of the National Assembly with similar aims and they join forces.

If Reign Of Terror had been done at a major studio like MGM or Paramount we might have seen a full blown color production. As it was this film was done at the short lived Eagle-Lion Studios and it was mostly filmed in shadows to disguise the cheapness of the sets. In doing that it gives Reign Of Terror a noir like quality that is the second most effective thing in the film. The atmosphere is one like a Universal Gothic horror film.

But the best thing about the film is the way Richard Basehart captures the character of the cold, bloodless, and merciless Robespierre. Robespierre was a man who disdained the pleasures of the flesh and the world had recently been dealing with another fanatic named Hitler who was the same way.

If you discount the silliness of Robespierre actually keeping a written list somewhere, Reign Of Terror despite its cheap production values, does effectively capture the mood of France in the middle 1790s. And Basehart is brilliant in his role.
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