Review of Mothra

Mothra (1961)
8/10
One of Toho's best, most touching and impressive monster movies
2 October 2009
Warning: Spoilers
A motley group of folks embark on an expedition to an island that's been ravaged by radiation. The explorers discover a pair of diminutive twin fairies. Evil and unscrupulous businessman Clark Nelson (excellently played to the hateful hilt by Jerry Ito) abducts the girls and forces them to sing for him in a stage act. Complications ensue when the girls' giant moth guardian Mothra arrives and begins leveling Japan while searching for the fairies. Directed with real skill and intelligence by Inoshiro Honda, with a thoughtful script by Shinichi Sekizawa, a steady pace, exquisite widescreen cinematography by Hajime Koizuma, exciting sequences of mass destruction, a sweeping, majestic score by Yuji Koseki, a strong central message about the severe consequences of human greed and selfishness, a strangely beautiful and poetic creature, a potent and affecting conclusion, and fine and convincing special effects by Eiji Tsuburaya, this film achieves a certain poignancy and resonance because of its unusually graceful and sympathetic monster who's essentially benign, yet still dangerous because of her immense size. Kudos are also in order for the uniformly sound acting by the able cast, with especially stand-out contributions by Frankie Sakai as likable bumbling journalist Senichiro Fukuda, Kyoko Kagawa as spunky photographer Michi Hamamura, Ken Uehara as the no-nonsense Dr. Harada, and Hiroshi Koizuma as the compassionate Dr. Shinichi Chujo. Emi and Yumi Ito are absolutely adorable as the sweet and gentle twin fairies. The island scenes have a tasty exotic atmosphere. Essential viewing for Japanese creature feature fans.
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