MAYBE I'LL COME HOME IN THE SPRING, with an early Sally Field performance, is a nice, well—meant, underwritten and quite conventional drama about flower—power teens in the loose style of the early '70s; the subjects are at least appealing—feminine psychology, sisters rivalry, etc., blended in a general murkiness which some might find displeasing. The script is certainly underdeveloped but interesting, the characters are vaguely and too conventionally defined, indicating that the movie hasn't anything to say about its themes. None of the characters is really achieved. Otherwise, Sally as a confused teenager.
For anyone who likes Sally Field, the movie, meant as a psychological exercise, characters—driven (--no story, though the characters are inexistent, too--), has some interest, I have seen it with a bit of pleasure.
For anyone who likes Sally Field, the movie, meant as a psychological exercise, characters—driven (--no story, though the characters are inexistent, too--), has some interest, I have seen it with a bit of pleasure.