The Mercenary (1968)
7/10
An Italian/Spanish co-production well directed by Sergio Corbucci with action, shootouts, humor and mayhem.
6 February 2010
A Spaghetti-Paella Western directed by Sergio Corbucci, one of the most representative directors of the genre, including an international cast and many supporting Spanish family members. This is an entertaining Zapata/Spaghetti Western set in Mexico during the confrontation between Madero and General Huertas, which includes communist revolutionaries and evil bandits. A Pole named Sergei Kowalski (Franco Nero) is a mercenary, working for the highest bidder. While Paco Román (Tony Musante), who is a laborer who works in a silver mine owned by Elías García, rebels against his boss and humiliates him and his two brothers, including Colonel Alfonso García (Eduardo Fajardo). He is soon captured, but his friends save him from the firing squad. Kowalski is ordered to transport silver to a mine, but only finds that the Mexican rebel named Paco has formed a guerrilla group and taken control. Meanwhile, Kowalski makes a deal with Elias and his brother to get their money safely across the border. However, Sergei is hired by Paco and teaches the revolutionary leader how to put his idealistic fervor into practice. They are pursued by Curly (Jack Palance), a gay gunman dressed in white. Fate brought them together, greed made them inseparable, violence made them companions!.

The picture mingles violence, thrills, shootém up, comedy with tongue in cheek and it's fast moving and that's why it's quite amusing. It's a thrilling western with overwhelming and violent shootouts between the protagonists Franco Nero and Tony Musante and the enemies Jack Palance and Eduardo Fajardo. Tony Musante, such as Tomas Milian, puts faces, laughing, crying and overacting, but he plays splendidly. Agreeable intervention of an italian beauty as Giovanna Ralli. Furthermore, here appears usual secondaries from Italian Western as Franco Ressell, Raf Baldassarre, Jose Canalejas, Alvaro De Luna, Simon Arriaga, Lorenzo Robledo, Tito Garcia, and of course Eduardo Fajardo, Corbucci's ordinary. The highlights of the film are the Tony Musante's burying edge neck similarly to Franco Nero's ¨Corbucci's The Professional ¨, the confrontion at the bullfighting square and the Polish wielding a machine gun and shooting though with anachronism because is a modern model, in fact this is a fictional machine gun similar to the one used in Django (1966): Hotchkiss Mle 1914. This film belongs to the numerous group that are set during the Mexican revolution, called ¨Zapata Western¨ , like are the Italians: ¨Leone's Duck you sucker¨, ¨ Corbucci's The professional¨ ,¨ Giulio Petroni's Tepepa¨ and the Americans : ¨Peckinpah's The wild bunch¨, ¨Buzz Kulik's Villa rides ¨, and ¨Richard Brooks' The professionals¨. There are many fine technicians and expert assistants as the cameraman Alejandro Ulloa who makes an excellent photography with barren outdoors, dirty landscapes under a glimmer sun shot on location in haunted town of Cuenca and of course Almeria, Spain. The musician Ennio Morricone composes a classic Spaghetti soundtrack and well conducted by his habitual collaborator Bruno Nicolai. Well produced by Alberto Grimaldi -PEA productions- famous producer of ¨The trilogy of the dollars¨ filmed by Sergio Leone, along with the Spanish priction 'Copercines' . Sergio Corbucci's direction is adequate , he made several classic Italian western : ¨ Django¨, ¨The great silence¨, ¨Hellbenders¨ , ¨The specialist¨ and the ¨Compañeros¨, the latter bears special resemblance to ¨ The mercenary ¨ and along with ¨ ¨What am I doing in middle of the revolution¨ belongs a Corbucci's trilogy about Mexican revolution. Rating : 6,5/10. Good Spaghetti Western.
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