8/10
Satisfyingly scuzzy chicks-in-chains outing from the always reliable Bruno Mattei
5 March 2010
Warning: Spoilers
Gutsy reporter Emanuelle (luscious Laura Gemser) goes undercover as an inmate in a women's prison to expose the corruption and brutality going on inside the place. When her identity is revealed, she incurs the vicious wrath of the sadistic staff. Veteran Italian trashmeister Bruno Mattei, working from a suitably seamy script by Olivier Lefait and Ambrogio Molteni, scrupulously covers all the spot-on essential slimy bases: abundant tasty distaff nudity, lurid lesbianism, sizzling soft-core sex scenes, ferocious rape, rough'n'tumble fisticuffs, mean and cruel guards, a grimy location, an exciting last reel break-out, a few lively catfights, a dark and gritty tone, and a simply fantastic sequence with Emanuelle being attacked by nasty red-eyed rats after she's placed in solitary confinement all add up ton provide a quite sleazy and hence most enjoyable piece of low-grade schlock. The sturdy cast of familiar Italian exploitation cinema regulars helps a lot, with stand-out contributions by Gabriele Tinti as the kindly, humane Dr. Moran, Lorainne De Selle as the wicked and depraved warden, Ursula Flores as the fragile Consuelo, Maria Romano as the snippy Kitty, Francoise Perrot as ruthless and predatory snitch Hertha, Jacques Stany as the crooked chief inspector, and Leila Durante as wise old felon Pilar. Luigi Ciccarese's polished cinematography makes all the filthy goings-on look slicker than they probably deserve. Luigi Ceccarelli's bluesy'n'jazzy pounding rock score hits the right-on groovy pulsating spot. Worthwhile viewing for babes-behind-bars buffs.
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