I didn't know quite what I'd be seeing when I watched "Shelter." A lot of gay movies rely on stereotypes for laughs or wallow in their own grief. Thankfully, none of that showed up in "Shelter." While the movie is a love story that follows the formula of many of its predecessors, it does so in a straightforward and refreshing manner. The story gets right to the point and doesn't wallow on too many extraneous details. Just about all the acting is spot-on, from Wright to Rowe to Holmes--this is no amateur job. Much of the acting is understated, in fact, and not in-your-face.
There is an especially interesting undercurrent to the film, that of class difference. Zach is from a poorer, city-dwelling family that contrasts greatly with the suburban lifestyle of Shaun. This establishes all that's at stake in the two's relationship, and is a welcome alternative to many gay films which depict the lifestyles of middle- or upper-class people. Kudos to the filmmakers for showing us another side of LA.
There is an especially interesting undercurrent to the film, that of class difference. Zach is from a poorer, city-dwelling family that contrasts greatly with the suburban lifestyle of Shaun. This establishes all that's at stake in the two's relationship, and is a welcome alternative to many gay films which depict the lifestyles of middle- or upper-class people. Kudos to the filmmakers for showing us another side of LA.