The marketing for this movie is terribly misleading. It sells it as a zany comedy, which could not be farther from the truth. I'm not criticizing the film -- I thought it was quite good. But people are going to see this expecting something very different from what they get, and they're going to hold it unfairly against the film.
"Cyrus" is being billed as the first mainstream effort by mumblecore darling filmmakers Jay and Mark Duplass ("Baghead"). But "Cyrus" is only mainstream in that it's released by a major studio (Fox Searchlight) and has recognizable actors in it (John C. Reilly, Marisa Tomei, Jonah Hill, Catherine Keener). In subject and style, it imports many of the characteristics of traditional mumblecore -- offbeat humor, improvised feel, bare bones production values -- wholesale.
Which again is not a criticism. I've been impressed with some of the mumblecore entries I've seen recently, like the aforementioned "Baghead" and "Humpday." "Cyrus" is a complex exploration of an odd and at times uncomfortable set up, and that it doesn't take a glib or condescending attitude toward its characters or devolve into potty jokes and slapstick couldn't make it less mainstream.
Reilly plays a lonely man looking for love and finding it in Marisa Tomei. Unfortunately, with her he also finds Cyrus, her twenty-something and morbidly dependent son. He tries to be a buddy at first, until it's clear that Cyrus isn't all that he appears and doesn't want a new guy around. The two men declare war on one another until fists fly, both figuratively and literally.
"Cyrus" is a small miracle of tone. It keeps its audience constantly guessing as to which direction it's going to go. The weird mother/son relationship depicted is at first just funny, then funny in a kind of squirmy way, then flat out disturbing. But the film knows exactly when it's about to push credibility too far, and just before it does, it lets us in on more information that makes everything plausible. One of the things I responded to most is the respect with which the actors and writers treat these characters. These people are not put on display for us to mock, or feel superior to, or pity. These are people who are trying their best to navigate tricky emotional terrain in the best way they know how, and the actors playing them all give lovely performances.
A smart, witty and thoughtful film in a season of cinematic junk food.
Grade: A
"Cyrus" is being billed as the first mainstream effort by mumblecore darling filmmakers Jay and Mark Duplass ("Baghead"). But "Cyrus" is only mainstream in that it's released by a major studio (Fox Searchlight) and has recognizable actors in it (John C. Reilly, Marisa Tomei, Jonah Hill, Catherine Keener). In subject and style, it imports many of the characteristics of traditional mumblecore -- offbeat humor, improvised feel, bare bones production values -- wholesale.
Which again is not a criticism. I've been impressed with some of the mumblecore entries I've seen recently, like the aforementioned "Baghead" and "Humpday." "Cyrus" is a complex exploration of an odd and at times uncomfortable set up, and that it doesn't take a glib or condescending attitude toward its characters or devolve into potty jokes and slapstick couldn't make it less mainstream.
Reilly plays a lonely man looking for love and finding it in Marisa Tomei. Unfortunately, with her he also finds Cyrus, her twenty-something and morbidly dependent son. He tries to be a buddy at first, until it's clear that Cyrus isn't all that he appears and doesn't want a new guy around. The two men declare war on one another until fists fly, both figuratively and literally.
"Cyrus" is a small miracle of tone. It keeps its audience constantly guessing as to which direction it's going to go. The weird mother/son relationship depicted is at first just funny, then funny in a kind of squirmy way, then flat out disturbing. But the film knows exactly when it's about to push credibility too far, and just before it does, it lets us in on more information that makes everything plausible. One of the things I responded to most is the respect with which the actors and writers treat these characters. These people are not put on display for us to mock, or feel superior to, or pity. These are people who are trying their best to navigate tricky emotional terrain in the best way they know how, and the actors playing them all give lovely performances.
A smart, witty and thoughtful film in a season of cinematic junk food.
Grade: A