J. P. Dutta directs Umrao Jaan, the second film adaptation of Mirza Hadi Ruswa's 1905 novel "Umrao Jaan Ada", which tells the story of the famous Lucknow courtesan. Although Dutta claimed to have based the film on the novel, it is clearly more a remake of the 1981 film version, directed by Muzaffar Ali and starring Rekha. The 1981 film was lavish, powerful and beautiful and is a famous musical classic. Rekha's heartfelt performance as Umrao Jaan remains till date one of the finest performances of not only her career but of Indian cinema in general. So obviously one would go on to compare the two versions, and needless to say, the 1981 film is and will always be associated with this title. This new version is not very bad. It is pleasing to the eye, it has some nice songs, great costumes, and Aishwarya Rai looks impossibly beautiful. However, the film is lacking in substance, in emotion and it lacks the power to excite.
In comparison to Rekha, Aishwarya Rai is frankly more of an amateur (and I'm not one of those who hate her). Rekha's line delivery, her non-verbal emotions, her pain, her expressive eyes being occasionally filled with tears, and above all her dance numbers which are some of the most memorable in the history of Indian films, were so soulful. Aishwarya, though stunning in looks and evidently trying to do her best, simply does not have the ability to recreate this magic. She does have her moments, but that's as far as it goes and it is hardly a good performance. Her dance numbers, however, are exceptional. Anu Malik's soundtrack is good and the great Alka Yagnik sings the songs beautifully. One shouldn't compare them to Khayyam's unforgettable songs performed to perfection by Asha Bhosle in the original version; the songs are wildly different.
Another much talked about role in the film is that of Khanum Jaan, played by Shabana Azmi. Azmi plays a role her own mother, Shaukat Azmi, played in the original version. She seems to have a lot of fun with the minimal job her character lets her do and surprisingly does not really take her role seriously, as she rightly admitted in an interview. That's okay, even accomplished actors like Azmi are allowed to have fun, and that's what actually makes her portrayal the more so entertaining. As for Abhishek Bachchan, the less said about him, the better. Even on its own, Umrao Jaan does not hold water. It is melodramatic, uninspiring and poorly directed. Aishwarya's presence and the film's visuals cannot save it from being just another unsuccessful and forgettable attempt to remake a classic.
In comparison to Rekha, Aishwarya Rai is frankly more of an amateur (and I'm not one of those who hate her). Rekha's line delivery, her non-verbal emotions, her pain, her expressive eyes being occasionally filled with tears, and above all her dance numbers which are some of the most memorable in the history of Indian films, were so soulful. Aishwarya, though stunning in looks and evidently trying to do her best, simply does not have the ability to recreate this magic. She does have her moments, but that's as far as it goes and it is hardly a good performance. Her dance numbers, however, are exceptional. Anu Malik's soundtrack is good and the great Alka Yagnik sings the songs beautifully. One shouldn't compare them to Khayyam's unforgettable songs performed to perfection by Asha Bhosle in the original version; the songs are wildly different.
Another much talked about role in the film is that of Khanum Jaan, played by Shabana Azmi. Azmi plays a role her own mother, Shaukat Azmi, played in the original version. She seems to have a lot of fun with the minimal job her character lets her do and surprisingly does not really take her role seriously, as she rightly admitted in an interview. That's okay, even accomplished actors like Azmi are allowed to have fun, and that's what actually makes her portrayal the more so entertaining. As for Abhishek Bachchan, the less said about him, the better. Even on its own, Umrao Jaan does not hold water. It is melodramatic, uninspiring and poorly directed. Aishwarya's presence and the film's visuals cannot save it from being just another unsuccessful and forgettable attempt to remake a classic.