Closing the Ring opens in a small Michigan town in 1991 with the funeral of a World War II veteran. The dearly departed man's daughter delivers a poignant eulogy to a church full of veterans. It is obvious that this man was rather beloved. But curiously the wife of the deceased seems not at all interested in the proceedings. She's not even in the church, rather sitting outside smoking a cigarette. When offered condolences she acknowledges that her husband was a good man. But she says she won't miss him. She appears to be not the slightest bit bereaved, content to sit there and wait for them to wheel her dead husband out. Obviously there is something going on here that we're not aware of. And we spend the rest of the film jumping back and forth across fifty years of time and across an ocean as long-buried secrets are revealed and everything becomes clear.
The newly widowed woman we meet in the opening scene is Ethel Ann. And after the funeral we are transported back to a much happier time. It's 1941 and young Ethel Ann is in love with a young farmer named Teddy. Complicating matters is the fact that Teddy's not the only one who loves the beautiful, vibrant Ethel Ann. His two close friends Jack and Chuck have a thing for her as well. But she's Teddy's girl. Everybody knows that, everybody accepts that. So Teddy and Ethel Ann should be destined to live happily ever after. But Teddy, Jack and Chuck will soon be going off to war. And lives will be changed. We begin to understand how the young Ethel Ann, so full of life, could become the old Ethel Ann, utterly defeated by life, whom we saw in the film's beginning.
The story constantly jumps back and forth in time from the 1940s to 1991. And it also jumps back and forth between Michigan and Northern Ireland. It is in Belfast in 1991, set against the backdrop of the IRA blowing things up, where the second key strand of the plot unfolds. An old man named Quinlan and a naive young teen named Jimmy dig up the wreckage of a B-17 which crashed there decades ago during the war. It doesn't take a genius to figure out that the Teddy/Ethel Ann story and the Quinlan/Jimmy story are somehow intertwined. With all the skipping around in time and place the movie does have a bit of a challenge sustaining its momentum. It's a movie of fits and starts. But ultimately it works.
The movie is helped by a generally excellent cast. Shirley MacLaine, playing the older version of Ethel Ann, and Christopher Plummer, portraying the one character who knows Ethel Ann's secrets, are nominally the leads and they're quite good in their roles. But it's really more of an ensemble piece. Mischa Barton as the young Ethel Ann makes a very good impression. Neve Campbell as Ethel Ann's daughter and Pete Postlethwaite as old Quinlan are good as well. And Martin McCann captures Jimmy's wide-eyed naiveté perfectly. Stephen Amell seems a little forced and unnatural in playing the young Teddy but that's the only minor quibble with the cast.
The story is a good one, very sentimental and told in a unique way. You get the sense the movie would benefit from a second viewing. Once you have all the times and places sorted out in your head you could probably appreciate the story even more. As it is, on a first run through, the story is a little confusing at times. There's a lot going on, at times maybe a little bit too much. Did we really need the IRA storyline for example? In the end I guess that plot point serves its purpose in helping the story to get itself to the finish line. But along the way it slows things down and adds another layer of confusion to the mix. In the end though all's well that ends well. Everything does finally come together well enough to make this an ultimately satisfying movie, an overlooked little gem.
The newly widowed woman we meet in the opening scene is Ethel Ann. And after the funeral we are transported back to a much happier time. It's 1941 and young Ethel Ann is in love with a young farmer named Teddy. Complicating matters is the fact that Teddy's not the only one who loves the beautiful, vibrant Ethel Ann. His two close friends Jack and Chuck have a thing for her as well. But she's Teddy's girl. Everybody knows that, everybody accepts that. So Teddy and Ethel Ann should be destined to live happily ever after. But Teddy, Jack and Chuck will soon be going off to war. And lives will be changed. We begin to understand how the young Ethel Ann, so full of life, could become the old Ethel Ann, utterly defeated by life, whom we saw in the film's beginning.
The story constantly jumps back and forth in time from the 1940s to 1991. And it also jumps back and forth between Michigan and Northern Ireland. It is in Belfast in 1991, set against the backdrop of the IRA blowing things up, where the second key strand of the plot unfolds. An old man named Quinlan and a naive young teen named Jimmy dig up the wreckage of a B-17 which crashed there decades ago during the war. It doesn't take a genius to figure out that the Teddy/Ethel Ann story and the Quinlan/Jimmy story are somehow intertwined. With all the skipping around in time and place the movie does have a bit of a challenge sustaining its momentum. It's a movie of fits and starts. But ultimately it works.
The movie is helped by a generally excellent cast. Shirley MacLaine, playing the older version of Ethel Ann, and Christopher Plummer, portraying the one character who knows Ethel Ann's secrets, are nominally the leads and they're quite good in their roles. But it's really more of an ensemble piece. Mischa Barton as the young Ethel Ann makes a very good impression. Neve Campbell as Ethel Ann's daughter and Pete Postlethwaite as old Quinlan are good as well. And Martin McCann captures Jimmy's wide-eyed naiveté perfectly. Stephen Amell seems a little forced and unnatural in playing the young Teddy but that's the only minor quibble with the cast.
The story is a good one, very sentimental and told in a unique way. You get the sense the movie would benefit from a second viewing. Once you have all the times and places sorted out in your head you could probably appreciate the story even more. As it is, on a first run through, the story is a little confusing at times. There's a lot going on, at times maybe a little bit too much. Did we really need the IRA storyline for example? In the end I guess that plot point serves its purpose in helping the story to get itself to the finish line. But along the way it slows things down and adds another layer of confusion to the mix. In the end though all's well that ends well. Everything does finally come together well enough to make this an ultimately satisfying movie, an overlooked little gem.