Keoma (Franco Nero), a half-Indian half-Caucasian civil war veteran returns to his homeland to find it in squalor and disrepair at the hands of gang leader and presiding landlord Caldwell (Donald O'Brien) and his enforcers; keeping the inhabitants in poverty and cureless from the plague that's going around. Those who do circum are rounded up and dumped at the old mine on the outskirts. It is here that a passing Keoma saves a pregnant woman (Olga Karlatos) – wrongly assumed to be infected – from imminent murder.
Keoma is a solid, gripping and mythical western that is incredibly stylish and not entirely without substance either. The only major flaw is the film's overly-insistent and frequently agitating score in the form of a warbling diva and throaty male vocalist taking it in turns to sing what is happening in the film as it happens with some very on-the- nose lyrics: "Now I'm here in front of these men/Gun in hand, I'm waiting for what will be " and; "There's my father and my brothers and me/Tell me now father, why they hate me so." The instrumental sections fair a lot better providing some effectively cathartic moments.
Keoma is a solid, gripping and mythical western that is incredibly stylish and not entirely without substance either. The only major flaw is the film's overly-insistent and frequently agitating score in the form of a warbling diva and throaty male vocalist taking it in turns to sing what is happening in the film as it happens with some very on-the- nose lyrics: "Now I'm here in front of these men/Gun in hand, I'm waiting for what will be " and; "There's my father and my brothers and me/Tell me now father, why they hate me so." The instrumental sections fair a lot better providing some effectively cathartic moments.