10/10
house five, a true real story, recognized from the sacred roman church
18 October 2010
House five, is not the continuation of the other houses. House five, extension for the first time a true fact of property, recognized from the sacred Roman church. The history is draft from the book " the 100 cases of demonic property recognized from the Holy Roman Church of father "Malachia" For the first time in a property film, the splitting of the two children is looked at entirety, l' real spirit and that possessed. An exchange of the two children happens, with the parents and its family goes that mistaking. The child will be saved with exorcism, from a priest who had lost the faith, tormented and scared, from the demon and now, alcoholic victim . This priest will return to the faith, during l' exorcism. It had lost the faith in order to have confessed a modern witch, condemned to the capital punishment on the chair electrical worker, in reality the woman was possessed from a demon between most frightful: Ameth, that it eats the spirits of the children in order to become stronger. (it is in the Bible) to the history appeals to me so much, for the depth. The film is to low cost, but the special effects beautiful because are made as years were made ago, when the computer did not exist. The film is of 1990 and task that would have to be praised who little succeeds with money to make a film that however it scares, thanks to the many ideas of the script and to a good direction. Task is easy to make good films when many money is had. The scene that it has hit to me more, is that of little the child, that it dreams to wake up sluice in a coffin, where, the family sees dead to it, but it is alive, she screams, and she screams, but she feels it to nobody, then encircle it to the witches, making them a magical deceit, in order to steal them spirit. The witches are devout people to Ameth. Much fear and much Gore. The Louisiana still renders more l' atmosphere. To see and to appreciate also for the suspense in the long, from the taste of the past, without those movements of movie-cam, too much fast times and you deprive of sense, within the history and in the turned scene, only used for giving rhythm, to case. The atmospheres thriller the fear, manifest in the waits. For this ballot 10/10. To revalue
7 out of 16 found this helpful. Was this review helpful? Sign in to vote.
Permalink

Recently Viewed