Ash Adams, wrote, directed, produced and acted in this very raw story of a family challenged by a life of crime in San Pedro, California. While the film has some brittle edges, editing flaws that disturb the flow of the story, the acting is so fine that these flaws become minor. It is a small budget film populated with some of the finest actors in the business and the result makes for a film that deserves more attention than it received in the theater.
Chance (Brian Presley, in a career changing role) has been released from five years in prison for a crime in which he took the blame for a number of his friends and family. Upon release he discovers that his ex-girlfriend Kat (Alison Eastwood) gave birth to their son August while Chance was in jail. Kat promptly walks out on Chance and August, leaving Chance to parent a child he didn't even know he fathered. Chance's friend Beat (Chad Lindberg) is a damaged man, having witnessed with Chance the brutal slaughter of a man by Chance's father Liam (Ed Harris), a man who has been in prison since and has become the leader of the Aryan Brotherhood. Beat has a debt that must be paid and pleads with Chance to do one more Cocaine sale for dirty cop Rath (Ash Adams) to free himself from that debt and get on with life. Chance wants to turn his life around, tries to pay off Beat's debt by participating in a knuckle fight for the operator Eddie (Peter Weller), but when he loses the fight all bets are off. Chance visits his blind aunt Rose (Amy Madigan) and her friend Sue (Sharon Gless) and Rose insists Chance visit his father Liam in the jail. Chance also becomes attached to a friend of Kat's named Pearl (Taraji P. Henson) and Pearl helps Chance to find fatherhood with August and a relationship with her. From all of these setups come encounters that alter the story with realistic views of the corruption of San Pedro as well as a coming together of Chance and his father whose turbulent family history is revealed at the end of the film.
The cast is excellent: Ed Harris, Amy Madigan, Taraji P. Henson, Peter Weller, Ash Adams, Chad Lindberg and especially Brian Presley give high quality performances as do the supporting cast members. This little film may be tough and raw, but the underlying importance of family is strong and well worth attention from a wider audience.
Grady Harp
Chance (Brian Presley, in a career changing role) has been released from five years in prison for a crime in which he took the blame for a number of his friends and family. Upon release he discovers that his ex-girlfriend Kat (Alison Eastwood) gave birth to their son August while Chance was in jail. Kat promptly walks out on Chance and August, leaving Chance to parent a child he didn't even know he fathered. Chance's friend Beat (Chad Lindberg) is a damaged man, having witnessed with Chance the brutal slaughter of a man by Chance's father Liam (Ed Harris), a man who has been in prison since and has become the leader of the Aryan Brotherhood. Beat has a debt that must be paid and pleads with Chance to do one more Cocaine sale for dirty cop Rath (Ash Adams) to free himself from that debt and get on with life. Chance wants to turn his life around, tries to pay off Beat's debt by participating in a knuckle fight for the operator Eddie (Peter Weller), but when he loses the fight all bets are off. Chance visits his blind aunt Rose (Amy Madigan) and her friend Sue (Sharon Gless) and Rose insists Chance visit his father Liam in the jail. Chance also becomes attached to a friend of Kat's named Pearl (Taraji P. Henson) and Pearl helps Chance to find fatherhood with August and a relationship with her. From all of these setups come encounters that alter the story with realistic views of the corruption of San Pedro as well as a coming together of Chance and his father whose turbulent family history is revealed at the end of the film.
The cast is excellent: Ed Harris, Amy Madigan, Taraji P. Henson, Peter Weller, Ash Adams, Chad Lindberg and especially Brian Presley give high quality performances as do the supporting cast members. This little film may be tough and raw, but the underlying importance of family is strong and well worth attention from a wider audience.
Grady Harp