Can you make a better film by leaving it unfinished? George Lucas, famously, thought he could have done better with 'Star Wars', but the changes he made after 20 years were generally met with derision. In the case of Cristian Nemescu's film 'California Dreamin'', there's a sadder story: the director died in a car crash while the film was in edit. What he left behind was a story (about American soldiers marooned in a Romanian backwater) that is arguably overlong and unfinished (indeed, the film even has a subtitle to this effect), with some unlikely cuts and juxtapositions (that may or may not have been intended). It's certainly likely that, with more time, he'd have cleaned it up, made it a little slicker and to the point. Or maybe not. Because the wonder of this film is its lugubrious charm, the sense you have in watching it that you are every bit as stuck as the Americans. It's a mood piece, and yet also a piece of uncertain mood. As well as the sort of sly comedy that is consistently to the point without ever actually making you laugh: you watch it with a twitch of a smile perpetually on your face, yet it's downbeat style continuously pulls back from being actually funny. Star of the show is Armand Assante as the bamboozled American captain, out of his depth in a peace zone.
This film brought back memories for me, as I visited Romania twice in the early 1990 (although five or more years before this film is set). And I recognise every thing about this world: the bureaucracy, the corruption, the former communist officials still in place, the decrepitude of the public infrastructure, the general sense that no damn thing works; and of course, the pretty girls excited by the faintest hint of outside. When the captain calls it 'paradise' it's unclear if he's lost his marbles; but the film has certainly not lost its own sense of irony. And yet, I did wonder why a Romanian director should have wanted to make a film that shows such a picture of his country. But then I was reminded of another film about a local community (this time in Scotland) visited by an American, Bill Forsyth's 'Local Hero'; and there are aspects of both films that are similar, not least in the ambiguous relationship of the movie to the people it depicts (superficially, in both cases, our initial sympathies are with the outsiders). 'California Dreamin'' is a much darker movie; but for all its oddness, I loved it. And it reminded me of another time in my life surprisingly warmly.
This film brought back memories for me, as I visited Romania twice in the early 1990 (although five or more years before this film is set). And I recognise every thing about this world: the bureaucracy, the corruption, the former communist officials still in place, the decrepitude of the public infrastructure, the general sense that no damn thing works; and of course, the pretty girls excited by the faintest hint of outside. When the captain calls it 'paradise' it's unclear if he's lost his marbles; but the film has certainly not lost its own sense of irony. And yet, I did wonder why a Romanian director should have wanted to make a film that shows such a picture of his country. But then I was reminded of another film about a local community (this time in Scotland) visited by an American, Bill Forsyth's 'Local Hero'; and there are aspects of both films that are similar, not least in the ambiguous relationship of the movie to the people it depicts (superficially, in both cases, our initial sympathies are with the outsiders). 'California Dreamin'' is a much darker movie; but for all its oddness, I loved it. And it reminded me of another time in my life surprisingly warmly.