Das Boot (1981)
Widely considered the most impressive submarine movie ever made, I'll go so far as to say it's easily the most accurate that I've seen. The action scenes, the sense of doom, the eerie quiet and then explosive depth charges, the grime and the crowded conditions, all of this is palpable.
But more impressive, I think, is how the movie works as a German movie about Germans in a war where the Germans were painted as evil. American movies to this day still glorify and make heroic their roles in WWII (unlike the willingness, at times, to show the problems of Americans involved in Viet Nam, say), especially in the European side. But in movie after movie, the German film industry has confronted the real problem of being aggressors, and of being under the Nazi sway. "Das Boot" is typical, and key. The captain goes so far as to openly make fun of the German propaganda coming in on their radio. It isn't just that war is bad, but that the Nazis are bad.
Nevertheless, there they are, and they have a job to do, and they're going to do it well. So a small group of men in a small underwater tin can try to survive the boredom as much as the British, who come very close to getting them several times. It's a great movie, one of the best at capturing the feeling of being there.
What is less impressive, at times, is the more ordinary character development that seems inevitable in a movie this long--2 ½ to 4 hours depending on the version you have, I saw the long one, the director's cut. I think the acting is superb, and so it's easy to go along with the conversations and interactions, but they aren't always compelling in themselves, more just creating some space before the next conflict arises. Maybe, in some honest sense, this is exactly how it would have been. Life for most people is pretty ordinary.
But this movie is not. Or it makes what is ordinary in war--the nostalgic to the profound and deadly--believable, and not simply big and dramatic, which it also is.
For full German effect, I suggest seeing it with the original German language track on and subtitles if you need them, though I tested the dubbed version in English and it's really well done. I also suggest, if you have doubts about such an involved war movie, trying to find the older, shorter release. The visuals are not enhanced, but some of the character development sections are left out and I don't think you'll miss them. Then, of course, if you want the whole kit and caboodle, try to find the 5 hour version released in sections for British and German television.
Widely considered the most impressive submarine movie ever made, I'll go so far as to say it's easily the most accurate that I've seen. The action scenes, the sense of doom, the eerie quiet and then explosive depth charges, the grime and the crowded conditions, all of this is palpable.
But more impressive, I think, is how the movie works as a German movie about Germans in a war where the Germans were painted as evil. American movies to this day still glorify and make heroic their roles in WWII (unlike the willingness, at times, to show the problems of Americans involved in Viet Nam, say), especially in the European side. But in movie after movie, the German film industry has confronted the real problem of being aggressors, and of being under the Nazi sway. "Das Boot" is typical, and key. The captain goes so far as to openly make fun of the German propaganda coming in on their radio. It isn't just that war is bad, but that the Nazis are bad.
Nevertheless, there they are, and they have a job to do, and they're going to do it well. So a small group of men in a small underwater tin can try to survive the boredom as much as the British, who come very close to getting them several times. It's a great movie, one of the best at capturing the feeling of being there.
What is less impressive, at times, is the more ordinary character development that seems inevitable in a movie this long--2 ½ to 4 hours depending on the version you have, I saw the long one, the director's cut. I think the acting is superb, and so it's easy to go along with the conversations and interactions, but they aren't always compelling in themselves, more just creating some space before the next conflict arises. Maybe, in some honest sense, this is exactly how it would have been. Life for most people is pretty ordinary.
But this movie is not. Or it makes what is ordinary in war--the nostalgic to the profound and deadly--believable, and not simply big and dramatic, which it also is.
For full German effect, I suggest seeing it with the original German language track on and subtitles if you need them, though I tested the dubbed version in English and it's really well done. I also suggest, if you have doubts about such an involved war movie, trying to find the older, shorter release. The visuals are not enhanced, but some of the character development sections are left out and I don't think you'll miss them. Then, of course, if you want the whole kit and caboodle, try to find the 5 hour version released in sections for British and German television.