There is something brilliant about this project, something absolutely brilliant. You will find it hard to locate in the storm of distracting bad decisions elsewhere.
The bad? Well, you can read about that elsewhere. A cheap film factory and story meets the three Jack Black jokes.
The clever idea is this: Black plays a character who is a repressed nobody. In his own apartment, he acts out dramas from films with his collection of action figures. He goes to sleep, and dreams — maybe not because the fantasy doesn't need an explanation. He ends up in a land full of people the size of his action figures.
Once there, he tells them stories about himself drawn from all those movies, with him as the hero. They believe him of course. This is somewhat interesting. The brilliant part is how he inverts the inversion, by having the little people on stage reproducing scenes from the films with him as the hero. Later, they build him a replica of his real world as filtered through this lens.
The idea is pretty cool, and would have been worthy of something like "Synecdoche" and Philip Seymour Hoffman.
How this could have been spliced to Swift's original vision is too delicious. Swift was vulgar, offensive and unsettling in his truths. There is none of Swift here. I actually would have preferred seeing Travolta's Scientology disaster again rater than this. Cool idea though.
Ted's Evaluation -- 1 of 3: You can find something better to do with this part of your life.
The bad? Well, you can read about that elsewhere. A cheap film factory and story meets the three Jack Black jokes.
The clever idea is this: Black plays a character who is a repressed nobody. In his own apartment, he acts out dramas from films with his collection of action figures. He goes to sleep, and dreams — maybe not because the fantasy doesn't need an explanation. He ends up in a land full of people the size of his action figures.
Once there, he tells them stories about himself drawn from all those movies, with him as the hero. They believe him of course. This is somewhat interesting. The brilliant part is how he inverts the inversion, by having the little people on stage reproducing scenes from the films with him as the hero. Later, they build him a replica of his real world as filtered through this lens.
The idea is pretty cool, and would have been worthy of something like "Synecdoche" and Philip Seymour Hoffman.
How this could have been spliced to Swift's original vision is too delicious. Swift was vulgar, offensive and unsettling in his truths. There is none of Swift here. I actually would have preferred seeing Travolta's Scientology disaster again rater than this. Cool idea though.
Ted's Evaluation -- 1 of 3: You can find something better to do with this part of your life.