This movie seems to be the critics' darling of 2010. Yes, it has a brilliant script. That is until the end, when one of the main character's legal staff absolves him of all guilt. Aaron Sorkin, I bet you didn't write that in the script. It was obviously put in later to make Zuckerberg not appear to be as much a monster as the rest of the script paints him to be. It's appropriate a legal person speaks those words because it is nothing more than a device to absolve the filmmakers from any legal recourse the real Mark Zuckerberg might take against them.
But that little bit of convenient cheating by the script is nothing compared to the vile yellow/green pallor that envelopes the film. David Fincher hates whites and blues. He refuses to use them. I scratch my head that all these high falootin' critics never mention that this film looks like it was shot on Mars. It looks horrible. My advice when you watch this at home is to remove the color and watch it in black and white. Along with the one-dimensional characters and flat acting (especially from the one-note Eisenberg), what you will get is a decent old-fashioned black and white movie. But not much else.
What really hurts is that the yellow/green David Fincher is currently spoiling the gorgeous earthbound whites/blues of Niels Arden Oplev's masterful "Girl with the Dragon Tattoo" and placing them onto the lifeless surface of Mars. Sacrilege.
But that little bit of convenient cheating by the script is nothing compared to the vile yellow/green pallor that envelopes the film. David Fincher hates whites and blues. He refuses to use them. I scratch my head that all these high falootin' critics never mention that this film looks like it was shot on Mars. It looks horrible. My advice when you watch this at home is to remove the color and watch it in black and white. Along with the one-dimensional characters and flat acting (especially from the one-note Eisenberg), what you will get is a decent old-fashioned black and white movie. But not much else.
What really hurts is that the yellow/green David Fincher is currently spoiling the gorgeous earthbound whites/blues of Niels Arden Oplev's masterful "Girl with the Dragon Tattoo" and placing them onto the lifeless surface of Mars. Sacrilege.