As clueless but compassionate high school educator Esther Williams is a fish out of water in this sensationalized hot for teacher drama featuring a variety of lurid fetishes and poor performances. A contemporary of Blackboard Jungle and Rebel without a Cause it finishes dead last in the teen angst genre of its day, setting the bar so low it defies any other glossy flic to limbo under it.
Attractive Lois Conway (Williams) is a high school boy's daydream and fantasy who begins to get unwanted attention through mash notes and stalking. A woman has been murdered in the generally crime free suburban setting but Conway brazenly agrees to meet her stalker under the football stands at night without back-up. A firm believer in coddling youth she is rewarded by being assaulted. Detective Harry Graham (George Nader) handling the murder case tries to talk some sense into Conway who brusquely ignores his warnings with bullheaded charges back into harm's way.
It's bad enough Conway spends most of the film displaying the common sense of a teen in a hacker film going into dark places by herself especially with the pedestrian dramatic acting abilities of Ms. Williams. In dry dock and without her signature aquatic acrobatics her performance is one long dive. Nader's detective is just as unemotive as Williams and John Saxon debuting as the latest entry in the new Brando sweepstakes seems to catch what the leads have; lack of conviction. Only Edward Andrews as the restrained at first misogynistic father of Saxon offers a performance of interest. An iconic figure of condescending authority in television and film he's allowed to stretch with a disturbed detachment and runs away with the film.
Director Charles Kelleher is no Sirk or Ray but he does have William Daniels lensing and there are some excellently lit and photographed evening scenes that build maximum suspense in a film however that can only be enjoyed for the wrong reasons.
Attractive Lois Conway (Williams) is a high school boy's daydream and fantasy who begins to get unwanted attention through mash notes and stalking. A woman has been murdered in the generally crime free suburban setting but Conway brazenly agrees to meet her stalker under the football stands at night without back-up. A firm believer in coddling youth she is rewarded by being assaulted. Detective Harry Graham (George Nader) handling the murder case tries to talk some sense into Conway who brusquely ignores his warnings with bullheaded charges back into harm's way.
It's bad enough Conway spends most of the film displaying the common sense of a teen in a hacker film going into dark places by herself especially with the pedestrian dramatic acting abilities of Ms. Williams. In dry dock and without her signature aquatic acrobatics her performance is one long dive. Nader's detective is just as unemotive as Williams and John Saxon debuting as the latest entry in the new Brando sweepstakes seems to catch what the leads have; lack of conviction. Only Edward Andrews as the restrained at first misogynistic father of Saxon offers a performance of interest. An iconic figure of condescending authority in television and film he's allowed to stretch with a disturbed detachment and runs away with the film.
Director Charles Kelleher is no Sirk or Ray but he does have William Daniels lensing and there are some excellently lit and photographed evening scenes that build maximum suspense in a film however that can only be enjoyed for the wrong reasons.