Pina makes me wish I knew more about dance, though I suspect not all dance and dancers are so accessible or emotionally charged, by choice. At moments I was moved nearly to tears, I wanted to answer the question Pina reportedly put often to her dancers, "what do you long for," with the answer "beauty—and this could serve for now." I saw this tonight at Vancouver International Film Festival in 3D on the strength of its description and Wenders being the director and I'm very glad I did. One of the hallmarks of strong cinema, for me, is an altered perception of the world when I leave the film, which sometimes lasts for a considerable time: the vision of the film awakening me to what is around me. I found tonight not only a visual but a kinaesthetic carryover as I walked to the car, drove my friend to the subway, and then drove home through streets light in traffic. Though normally I don't care for cars or driving, in the wake of the dance spirit invoked in this film, I revelled in freedom of movement—in movement itself—at first hand in my own body and at a remove, in the things around me. This is good stuff.
I will think about scenes such as the woman straining at the end of a rope, about the driven and frenetic movements as well as the lyrical moments and the tributes to Pina, for a while, I think.
I will think about scenes such as the woman straining at the end of a rope, about the driven and frenetic movements as well as the lyrical moments and the tributes to Pina, for a while, I think.