When archaeologist Karen Goodleaf (Robertson) goes to investigate a burial site found underneath New York City, she gets way more than she bargained for. Among the relics is an ancient key. This key just happens to unlock the hiding place of "The Minion", a devil or demon of some sort. Luckily, Lukas (Dolph), is sent from a monastery in Jerusalem to help recover the key before it falls into the wrong hands. As it turns out, Lukas is a direct descendant of The Templars, and his "warrior priest" status helps Karen fend off the powers of The Minion, whose spirit can inhabit the bodies of others. What will happen to the mysterious key? The Minion has some noteworthy ideas, such as modern-day Templars, and the dialogue is fairly interesting, or at least attempts to be. For example, The Minion has the ability to turn you into a were-minion. So many DTV movies seem like they're not even trying. Say what you will about The Minion, you could tell the filmmakers were at least putting forth some effort into delivering a product with some worthwhile thought put into it. The dialogue to convey said ideas is delivered convincingly by Dolph, who must have chosen this role because it's a bit different than what he's usually known for (or he was hitting a rough patch in his career and had no other option but to go to Canada and shoot this).
Now while there are historical references (among plenty of mumbo-jumbo, of course) - the film borrows heavily from such contemporary movies as The Relic (1997), but crosses it with C.H.U.D. (1984), of all things. Dolph can only stop the evil with a huge spiked glove, highly reminiscent of The Glove (1979). But it's one of the cooler aspects of this movie nonetheless. Actually, an entire movie could - nay - MUST be made of Dolph fighting more baddies and punks with a spiked glove. Come to think of it, forget all this mystical demon noise. Dolph and "The Glove" forever! Who's with us? Anyway, add in a demon in some kind of supernatural prison, and Dolph as the most badass dude to wear a white Priest's collar, and you have a decently entertaining Dolph vehicle, despite its flaws.
It may not be one of Dolph's shining moments, but The Minion really isn't all that bad. It's a good one-time watch.
For more insanity, please visit: comeuppancereviews.com
Now while there are historical references (among plenty of mumbo-jumbo, of course) - the film borrows heavily from such contemporary movies as The Relic (1997), but crosses it with C.H.U.D. (1984), of all things. Dolph can only stop the evil with a huge spiked glove, highly reminiscent of The Glove (1979). But it's one of the cooler aspects of this movie nonetheless. Actually, an entire movie could - nay - MUST be made of Dolph fighting more baddies and punks with a spiked glove. Come to think of it, forget all this mystical demon noise. Dolph and "The Glove" forever! Who's with us? Anyway, add in a demon in some kind of supernatural prison, and Dolph as the most badass dude to wear a white Priest's collar, and you have a decently entertaining Dolph vehicle, despite its flaws.
It may not be one of Dolph's shining moments, but The Minion really isn't all that bad. It's a good one-time watch.
For more insanity, please visit: comeuppancereviews.com