Ocelot's toons have always had the unfamiliar (African) imagery working for them. Their naive plot lines have been both an attraction and a limitation.
This episode film, framed with sessions in the re-voicing studio - where an owl is perched on the desk - are not a step towards more traditional work.
The recognisable Ocelot style is here mixed with a bit of Lotte Reiniger and boosted by a fascinating use of Three D, which spaces the arms and eyes of the outline crowd at different distances from the viewer, among other effects. Was it ever shown anywhere else but the Paris Champs Elysses that way? Whether the makers can take this style further and how it will go down with the tot audiences, I've seen cheer the Kirikou films, has yet to be seen.
This episode film, framed with sessions in the re-voicing studio - where an owl is perched on the desk - are not a step towards more traditional work.
The recognisable Ocelot style is here mixed with a bit of Lotte Reiniger and boosted by a fascinating use of Three D, which spaces the arms and eyes of the outline crowd at different distances from the viewer, among other effects. Was it ever shown anywhere else but the Paris Champs Elysses that way? Whether the makers can take this style further and how it will go down with the tot audiences, I've seen cheer the Kirikou films, has yet to be seen.