Director Roger Vadim has worked with many beautiful women (Bardot, Fonda and Deneuve) in his career and for this offering he gets a hold of Cindy Pickett (who likes to wander around in a see through nightgown) and Joanna Cassidy in support. "Night Games" is transfixing, but muddled erotica as Pickett plays wealthy Beverly Hills housewife Valerie St. John, whose marriage seems to be falling apart with her inability to make love with her publisher husband due to a traumatic memory of childhood rape. So to achieve sexual fulfilment she escapes to her fantasies, especially when her husband just gets up and goes leaving her alone in their mansion. Every night she is visited by a phantom (from her illustrations - in some striking costumes), who helps her overcome her fears and with him explores her sexuality in the hope of freeing herself of the past. But Valerie's attachment to this fantasy begins to have a toll when reality becomes forgotten putting her in a dangerous predicament. Cindy Pickett's performance is right on the money, capturing the very neurotic state of her repressed character's mind. Vadim plays around with Pickett's frigid character's imagination --- dreams or reality in what becomes a dangerous cocktail of sexual healing ("The dark can play funny tricks on ya. That's all"). The busty redhead Cassidy (who looks great) is the good friend and has some memorable sequences; like the poolside scene and the old-fashion styling in a sexual daydream sequence. Also stealing some instances is Paul Jenkins as a scruffy alcoholic Welsh writer and Gene Davis as a young admirer. The slow-going story does come across fragmented and lean, but Vadim's elegant direction gives it emotional depth in its vividly inspired imagery along with Jon Barry's infatuating musical score that has a sensually smooth swing and the leering camera that glides about the vast estate is profoundly projected.
"Does everything have to mean sex for you?"
"Does everything have to mean sex for you?"