9/10
A mandala in disguise of a murder
6 January 2012
Warning: Spoilers
Just as I expected, seeing this film is an engrossing experience!Every quiet moment has a lot to offer.

I feel like being the autopsy doctor in the story, but instead of examining a corpse, the audience examines the character's minds. Delving into the doctor's mind turns out to be incredibly intriguing for me! It is very interesting to see the person who is supposed to be the most observant turns out to be the most oblivious, and the person who is supposed to be the most cool-headed turns out to be the most empathetic.

The film is abundant with complicated interactions among the conscious, the unmindful, and the subconscious minds. In one of the excellent scenes, all the main characters are sitting in a room which is poorly lit with a flickering gasoline lamp. The angelic face of the mayor's daughter serves like a psychological blank screen, revealing the demons of each of the main characters without they themselves noticing it. (As audience, we only more surely, but not definitely, understand what the demons are when the film comes to the end. ) While the characters project their feelings to the innocent figure, the camera pans to the distorted shadow on the wall of the mayor's daughter against the lamp light, hinting at the Allegory of the Cave. The analogy is indeed masterfully posited here foreshadowing the paradox in truth-finding, the theme of the story. The other must-mention scene is,of course, the ending, which is symbolized by the blood stain on the doctor's face. The stain is no different from a scornful spit from the deceased victim, and the justice system. It is also, however, an ethical choice, a moral decision that he deliberately made to spare the pain of the victim's family.

Truth can be accessed by only few people, and exclusively by those who consciously stay mindful. For the rest of the people, they may not even know whether they can handle the truth.
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