Womansing thug (Harmstorf) is sprung from the courthouse by two accomplices, then sets about planning the big heist of a local bank, equipped with a cache of high-powered weapons he's acquired from an American army outpost. Together with his faithful protégé (Macchia), who reluctantly on-boards his young girlfriend (Bohm) and her AWOL brother (August), the quartet bumble their way through the supposedly full-proof plan that aims to deliver them a cool million in cash and a new life in Australia. Predictably, things deteriorate quickly at every turn.
Harmstorf struts around in tight leather trousers, dropping C-bombs and picking fights he never wins with confidence and virility, an utterly repugnant and degenerate character. His internal adversary, the more even-tempered August character proves to be impotent to both the affections of one of the hostages, and to Harmstorf's increasing lunacy, remaining compliant in the hope of protecting his sister (Bohm) from harm. Generally the acting seemed pretty committed, although at times the atrocious dubbing makes it a mockery.
Paints a fairly miserable picture of working class Munich, often vulgar and violent, yet strangely engaging. The pitiful attempts by the gang to execute their plan, the constant set-backs, and Harmstorf's unbending belief that they'll all be free and filthy rich in spite of the escalating odds is worthy of the deepest sympathy. The climax was a bit disappointing but remained consistent with the overall tone, and while the jazz-pop soundtrack and dubbing will annoy some viewers, if you're not too picky, you might enjoy this quirky Bavarian bank robber flick.
Harmstorf struts around in tight leather trousers, dropping C-bombs and picking fights he never wins with confidence and virility, an utterly repugnant and degenerate character. His internal adversary, the more even-tempered August character proves to be impotent to both the affections of one of the hostages, and to Harmstorf's increasing lunacy, remaining compliant in the hope of protecting his sister (Bohm) from harm. Generally the acting seemed pretty committed, although at times the atrocious dubbing makes it a mockery.
Paints a fairly miserable picture of working class Munich, often vulgar and violent, yet strangely engaging. The pitiful attempts by the gang to execute their plan, the constant set-backs, and Harmstorf's unbending belief that they'll all be free and filthy rich in spite of the escalating odds is worthy of the deepest sympathy. The climax was a bit disappointing but remained consistent with the overall tone, and while the jazz-pop soundtrack and dubbing will annoy some viewers, if you're not too picky, you might enjoy this quirky Bavarian bank robber flick.