The public, be it in the United States, Europe or Britain, often see their political figures at press conferences or in front of large crowds offering endless platitudes through endless speeches. Occasionally, the public sees the interesting discourse which occurs during the Prime Ministers Questions in the British Parliament or the speeches made on the floor of the House or Senate in the United States. What the public doesn't see is the internal relationships between many of the key players, and how either great achievements or small missteps can either make or break promising careers. But most of all, we the public almost never hear the internal thoughts of political operatives.
The BBC's "House of Cards" gives us something we probably will never be able to enjoy in real life: the actual thoughts of someone working within the most powerful circles in politics. Ian Richardson plays Francis Urquhart, the Whip of the British Conservative Party who has taken hold of Parliament and the seat of the Prime Minister after Margaret Thatcher. In politics, "the Whip" is typically an informal position in party politics designed to keep other party members in bounds. He is there for counsel but also for discipline. From the very first, Urquhart speaks directly to us, an unseen constituency who has been privileged to hear what a leading politician really thinks about his fellow colleagues and even his thoughts about the system itself. While outwardly, Urquhart supports all the members of his party, inwardly he tells us his thoughts about all the contenders to leadership, including how he views the present Prime Minister Henry Collingridge.
Urquhart desires to influence the highest levels of his political party but seems uninterested in attaining the position of Prime Minister. As the Whip of his party, he must not only keep all elected party members in line but enact damage control if any member involves him or herself in behavior which could escalate into a scandal. To help, he allies himself with a young but precocious journalist, Mattie Storin, played brilliantly by Susannah Harker. The party Whip and the journalist form a strange but trust-worthy bond, a relationship almost like an uncle and niece. Urquhart believes by trusting someone in the press, he can at least have some influence on how the press handles the inner-workings and dealings in Parliament, be they success or failures.
Most of the series involves the many behind-the-scenes shenanigans the public rarely sees, let alone knows about. While politicians always present a facade of cool confidence and determination, we see the men behind the curtains. Their weaknesses, doubts, and hypocrisies are laid bare as if we, the audience, have been allowed to sneak inside the corridors of power. For example, a party member is caught using party funds for a cocaine habit. The Whip decides to use political black-mail to acquire his full political support. In exchange he expunges his financial record but threatens exposure if the member/addict ever breaks out of line. Things begin to heat up when the journalist learns that private research reveals the Conversative Party is in trouble with the public and must decide if there will be an internal coup d'etat.
A thoroughly compelling, excellently acted series which paved the way for the West Wing almost 10 years later. However, unlike "the West Wing", the main players are revealed as being all-too human. The Prime Minister has his doubts in the face of dwindling public support which is fueled by the exposure of a scandal. And the Whip begins to realize, partly with the help of the young journalist, that he may be underrating his own leadership qualities.
If there is anything we can glean from "House of Cards", it is as the title suggests. Politics is a house of cards, a game of subtlety, delicacy and intense strategy. Players must make their moves slowly, with precision and deftness. Well-thought-out moves can not only help the party but help the country. Hasty and ill-conceived moves can hurt party reputation and lead to losing elections. At any moment, if not played right, the cards will topple.
The BBC's "House of Cards" gives us something we probably will never be able to enjoy in real life: the actual thoughts of someone working within the most powerful circles in politics. Ian Richardson plays Francis Urquhart, the Whip of the British Conservative Party who has taken hold of Parliament and the seat of the Prime Minister after Margaret Thatcher. In politics, "the Whip" is typically an informal position in party politics designed to keep other party members in bounds. He is there for counsel but also for discipline. From the very first, Urquhart speaks directly to us, an unseen constituency who has been privileged to hear what a leading politician really thinks about his fellow colleagues and even his thoughts about the system itself. While outwardly, Urquhart supports all the members of his party, inwardly he tells us his thoughts about all the contenders to leadership, including how he views the present Prime Minister Henry Collingridge.
Urquhart desires to influence the highest levels of his political party but seems uninterested in attaining the position of Prime Minister. As the Whip of his party, he must not only keep all elected party members in line but enact damage control if any member involves him or herself in behavior which could escalate into a scandal. To help, he allies himself with a young but precocious journalist, Mattie Storin, played brilliantly by Susannah Harker. The party Whip and the journalist form a strange but trust-worthy bond, a relationship almost like an uncle and niece. Urquhart believes by trusting someone in the press, he can at least have some influence on how the press handles the inner-workings and dealings in Parliament, be they success or failures.
Most of the series involves the many behind-the-scenes shenanigans the public rarely sees, let alone knows about. While politicians always present a facade of cool confidence and determination, we see the men behind the curtains. Their weaknesses, doubts, and hypocrisies are laid bare as if we, the audience, have been allowed to sneak inside the corridors of power. For example, a party member is caught using party funds for a cocaine habit. The Whip decides to use political black-mail to acquire his full political support. In exchange he expunges his financial record but threatens exposure if the member/addict ever breaks out of line. Things begin to heat up when the journalist learns that private research reveals the Conversative Party is in trouble with the public and must decide if there will be an internal coup d'etat.
A thoroughly compelling, excellently acted series which paved the way for the West Wing almost 10 years later. However, unlike "the West Wing", the main players are revealed as being all-too human. The Prime Minister has his doubts in the face of dwindling public support which is fueled by the exposure of a scandal. And the Whip begins to realize, partly with the help of the young journalist, that he may be underrating his own leadership qualities.
If there is anything we can glean from "House of Cards", it is as the title suggests. Politics is a house of cards, a game of subtlety, delicacy and intense strategy. Players must make their moves slowly, with precision and deftness. Well-thought-out moves can not only help the party but help the country. Hasty and ill-conceived moves can hurt party reputation and lead to losing elections. At any moment, if not played right, the cards will topple.