Good little Warners soap, up to a point--and at that point it veers off into ridiculous plot coincidence and a rushed, depressing ending. Stanwyck contributes even more expressiveness than her considerable usual, and Kruger is an appealing leading man, until the wild contortions of the plot lead us to hate him, after the movie's spent three-quarters of its time cementing our allegiance to him. Warners, always wanting to be The Socially Conscious Studio, registers some truths about American prejudice that must have rung true and discomfiting a decade after the war. But then it hedges its bets by telling us, see, you never should have trusted this guy in the first place. Bellamy's stuck on the sidelines playing his usual Guy Who Doesn't Get the Girl, and there are tasty contributions from Elizabeth Patterson and the ever-indispensable Ruth Donnelley.