When Luke Williams meets an eccentric old English woman on the train and she tells him she knows of three murders and she is subsequently murdered, I felt that the film had started well and was likely to develop into a good whodunit. Unfortunately, it was down hill from there on.
With one exception, the suspects are wooden, providing little other than simply having a list of suspects to consider. The exception is Bridget Conway, the object of the Luke Williams' desire. Attractive as she (Lesley-Anne Down) is though, there is a limit to how often I want to see close ups of her facial expressions.
The plot - will Bridget Conway prove to be the murderer damming Luke Williams hopes or will it be someone else? - first stumbles along and then grinds its way to an inevitable slushy conclusion.
With one exception, the suspects are wooden, providing little other than simply having a list of suspects to consider. The exception is Bridget Conway, the object of the Luke Williams' desire. Attractive as she (Lesley-Anne Down) is though, there is a limit to how often I want to see close ups of her facial expressions.
The plot - will Bridget Conway prove to be the murderer damming Luke Williams hopes or will it be someone else? - first stumbles along and then grinds its way to an inevitable slushy conclusion.